Top-notch for group storytime, for a project on revising classics or just for enjoyment; funniest for kids who know the...

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GOLDILOCKS AND THE THREE DINOSAURS

A hilariously fractured fairy tale.

The structure’s well-known, so the endpapers list myriad permutations, almost all crossed out: Goldilocks and the Three Clams? Three Ostriches? Three Glasses of Milk? Nope, it’s Dinosaurs: Papa, Mama and one Dinosaur "who happened to be visiting from Norway.” Details are tasty—chocolate pudding instead of porridge; a different furniture riff (“The first chair was too tall. The second chair was too tall. But the third chair— [page turn] —WAS TOO TALL”). Even funnier are the  obviously fraudulent protestations. Child-friendly irony lets readers giggle knowingly as Mama Dinosaur muses, “I SURE HOPE NO INNOCENT LITTLE SUCCULENT CHILD HAPPENS BY OUR UNLOCKED HOME WHILE WE ARE…uhhh…SOMEPLACE ELSE!” They’re “definitely not hiding in the woods waiting for an unsuspecting kid”; pudding sits unattended to enable the creation of “delicious chocolate-filled-little-girl-bonbons (which, by the way, are totally not the favorite things in the whole world for hungry Dinosaurs).” Winking, the text places readers gleefully in the know—and Goldilocks is no patsy either. Willems’ trademark cartoon-style illustrations include sly eyebrows, sardonic glances and a fabulous picture of Goldilocks inside a pudding bowl. When she’s beyond satiated, her pupils dilate—enormous, then tiny—subtly nodding to the old tale’s “too big, too small” theme.

Top-notch for group storytime, for a project on revising classics or just for enjoyment; funniest for kids who know the original. (Fractured fairy tale. 5-9)

Pub Date: Sept. 1, 2012

ISBN: 978-0-06-210418-2

Page Count: 40

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 18, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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Fun but earnest, this rhyming romp reminds readers that one young person can make a difference.

SOFIA VALDEZ, FUTURE PREZ

From the Questioneers series

Sofia Valdez proves that community organizers of any age can have a positive impact.

After a trash-heap eyesore causes an injury to her beloved abuelo, Sofia springs into action to bring big change to her neighborhood. The simple rhymes of the text follow Sofia on her journey from problem through ideas to action as she garners community support for an idyllic new park to replace the dangerous junk pile. When bureaucracy threatens to quash Sofia’s nascent plan, she digs deep and reflects that “being brave means doing the thing you must do, / though your heart cracks with fear. / Though you’re just in Grade Two.” Sofia’s courage yields big results and inspires those around her to lend a hand. Implied Latinx, Sofia and her abuelo have medium brown skin, and Sofia has straight brown hair (Abuelo is bald). Readers will recognize Iggy Peck, Rosie Revere, and Ada Twist from Beaty’s previous installments in the Questioneers series making cameo appearances in several scenes. While the story connects back to the title and her aptitude for the presidency in only the second-to-last sentence of the book, Sofia’s leadership and grit are themes throughout. Roberts’ signature illustration style lends a sense of whimsy; detailed drawings will have readers scouring each page for interesting minutiae.

Fun but earnest, this rhyming romp reminds readers that one young person can make a difference. (Picture book. 5-8)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3704-6

Page Count: 40

Publisher: Abrams

Review Posted Online: Nov. 24, 2019

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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Patchy work, both visually and teleologically.

YOU'RE HERE FOR A REASON

The sultana of high-fructose sentimentality reminds readers that they really are all that.

Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.

Patchy work, both visually and teleologically. (Picture book. 6-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-250-05626-9

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: June 23, 2015

Kirkus Reviews Issue: July 15, 2015

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