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DRIVING WITH DEAD PEOPLE

A MEMOIR

For funeral-home-cum-dysfunctional-family tales, stick with Alison Bechdel’s Fun Home (June 2006).

An uneven first memoir offers more undigested anger than wisdom.

Holloway was fixated on death from a young age. Her friend Julie’s parents owned a funeral home, and Holloway liked to sneak into her favorite coffin, lined with pink silk, and imagine her own funeral. Kids with happy childhoods, of course, don’t spend much time thinking about their funerals, and Holloway’s interest in death is something of an escape from her horrible family life. Holloway’s father is abusive, sometimes beating his wife so brutally that the kids fear for her life. Eventually, Holloway’s mother summons some resolve, signs up for college classes and kicks her husband out. But Holloway does not offer the expected my-mother-is-a-phoenix line. No, mom turns out to be thoroughly self-absorbed, and deeply limited in her ability to love her children. Besotted with her new boyfriend, she virtually abandons her daughter, leaving her to make her way through adolescence on her own: “Can’t you be happy for me?” mom asks her teenage daughter. “Why is everything about you? . . . I’ve done you my whole life. This is about me.” Sections of this memoir are eerily lovely, but the overall narrative doesn’t hold together. The funerary imagery that suffuses the opening chapters feels distractingly like a device, a symbol that, in the final analysis, doesn’t have much to do with the family drama. The final third of the book, in which an adult Holloway finally reckons with her childhood, seems like an entirely different book—the voice is different, and the elegant prose of the beginning is replaced by clichés (“Sobs finally came. I didn’t think they ever would”) and self-help psycho-babble (“There was no other way for her to recover but to let the memories come, and I couldn’t do that for her”).

For funeral-home-cum-dysfunctional-family tales, stick with Alison Bechdel’s Fun Home (June 2006).

Pub Date: March 6, 2007

ISBN: 1-4169-4002-2

Page Count: 336

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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