A poignant tale of courage and resistance and of long-standing cultural traditions.
An enslaved Black child reflects on the role hair braiding plays in her life and her community.
Nemy scatters seeds and pulls weeds in the fields. She observes a woman named Big Mother, who works hard in the sugar cane fields, cooking and telling stories before bed. When Nemy follows Big Mother to a shack one night, she sees her and other women braiding one another’s hair. Nemy joins them, and as her hair is braided, she remembers her own Nana. Surrounded by a loving, tight-knit community, she learns how women braid messages, information, and even seeds into their hair. One morning, the group—including Nemy—flees, the routes of freedom braided in their hair. They avoid danger and recapture until they can establish a new home, deep in the forests surrounding the plantation. In an author’s note, Duncan explains how she drew from real history—specifically the experiences of those enslaved in Colombia. Quietly tinged with hope, her narrative demonstrates how those in bondage used skills passed down over generations to find the liberty they desired. Moses’ digitally rendered art depicts intricate braid patterns; his dramatic use of color during the escape scene heightens the drama, bathing characters in deep blues as they make their way to freedom.
A poignant tale of courage and resistance and of long-standing cultural traditions. (Picture book. 5-9)Pub Date: Sept. 10, 2024
ISBN: 9781915244802
Page Count: 32
Publisher: Lantana
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
A powerful retrospective glimpse at a key event.
A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.
Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.
A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)Pub Date: Jan. 2, 2018
ISBN: 978-0-544-70452-7
Page Count: 40
Publisher: HMH Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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