A celebration of community, queer Native families, and Indigenous joy.
A young Indigenous girl feels deeply connected to her community.
In the foreword, Cree/Lakota/Scottish author Smith discusses tawâw, a nêhiyawêwin (Cree) word meaning “there is always room.” This value is at the heart of her story, told from the perspective of young Molly. Molly describes the various emotions she feels as she interacts with those around her: “When Kôhkom and her wife, Kôhkom Raven, sing a welcome song, I feel connected.” “When my uncles and I play peekaboo with their baby, I feel love.” Molly and family, friends, and elders gather at an intertribal community center for a feast. Together, they prepare for a ceremony, make a food offering, and share bannock and soup. Queer and gender-nonconforming relatives figure prominently in Neidhardt’s (Diné) vibrant images; Molly’s community is lovingly portrayed as one that includes people with many gender expressions, skin tones, and styles of dress, and the words “love is love” appear throughout the book’s colorful spreads. This is a beautiful and moving glimpse into the rich intersections of Indigenous cultures and the Native queer and trans people who co-create them. Backmatter includes an author’s note in which Smith reflects on her own identity as a two-spirit person, a glossary, and information on the importance of Native community centers and Indigenous LGBTQ+ people.
A celebration of community, queer Native families, and Indigenous joy. (note from Heartdrum author-curator Cynthia Leitich Smith) (Picture book. 5-10)Pub Date: March 12, 2024
ISBN: 9780063078703
Page Count: 32
Publisher: Heartdrum
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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