A celebration of community, queer Native families, and Indigenous joy.
A young Indigenous girl feels deeply connected to her community.
In the foreword, Cree/Lakota/Scottish author Smith discusses tawâw, a nêhiyawêwin (Cree) word meaning “there is always room.” This value is at the heart of her story, told from the perspective of young Molly. Molly describes the various emotions she feels as she interacts with those around her: “When Kôhkom and her wife, Kôhkom Raven, sing a welcome song, I feel connected.” “When my uncles and I play peekaboo with their baby, I feel love.” Molly and family, friends, and elders gather at an intertribal community center for a feast. Together, they prepare for a ceremony, make a food offering, and share bannock and soup. Queer and gender-nonconforming relatives figure prominently in Neidhardt’s (Diné) vibrant images; Molly’s community is lovingly portrayed as one that includes people with many gender expressions, skin tones, and styles of dress, and the words “love is love” appear throughout the book’s colorful spreads. This is a beautiful and moving glimpse into the rich intersections of Indigenous cultures and the Native queer and trans people who co-create them. Backmatter includes an author’s note in which Smith reflects on her own identity as a two-spirit person, a glossary, and information on the importance of Native community centers and Indigenous LGBTQ+ people.
A celebration of community, queer Native families, and Indigenous joy. (note from Heartdrum author-curator Cynthia Leitich Smith) (Picture book. 5-10)Pub Date: March 12, 2024
ISBN: 9780063078703
Page Count: 32
Publisher: Heartdrum
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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