by Morgan Jerkins ‧ RELEASE DATE: Jan. 30, 2018
At its best, the book reveals complicated, messily human responses to knotty problems. Never intended as the final word on...
In the provocative essays collected in her first book, Jerkins meditates on how it feels to be a black woman in the United States today.
Brought up in suburban New Jersey, educated at Princeton, and now living in Harlem and working in publishing, the author often feels like an outsider. Her essays, usually deeply personal and always political, examine that unease. In the first, she goes back to elementary school, when she realized that “the only thing I wanted was to be a white cheerleader.” Other pieces consider the fraught issue of hair for black women, the self-repression imposed by the taboo against being thought a “fast-tailed girl,” the social pressure to identify as a “human” rather than as a “black woman,” and her ambivalence about the “black girl magic” movement. Some of her most effective essays take unusual shapes: one is an open letter to Michelle Obama, addressing her as “the beacon that reminds white people that 99 percent of them will never reach where you are,” and another is an ironic list of instructions on “How to Be Docile,” which provides the black female subject with everything she needs: “looks, deference to man, suppressed sexuality, silence.” At times, particularly in the final essay, which lists many of the black women the author believes could have helped her and didn't, Jerkins comes across as whiny. Sometimes, as in the piece about the many reasons she decided to have labiaplasty, she appears to be working hard to justify her actions. While she identifies herself as a feminist, the primary “other” against whom Jerkins sets herself is the automatically privileged white woman, “supported, cared for, and coddled.”
At its best, the book reveals complicated, messily human responses to knotty problems. Never intended as the final word on the black female experience in America today, it uncovers the effect of social forces on one perceptive young woman.Pub Date: Jan. 30, 2018
ISBN: 978-0-06-266615-4
Page Count: 272
Publisher: Perennial/HarperCollins
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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