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KASHER IN THE RYE

THE TRUE TALE OF A WHITE BOY FROM OAKLAND WHO BECAME A DRUG ADDICT, CRIMINAL, MENTAL PATIENT, AND THEN TURNED 16

Not likely to appeal to everyone, but irascibly charming in its honesty.

A bleak memoir, played for laughs, of growing up poor, Jewish and drugged-out in Oakland, Calif.

Los Angeles–based comedian Kasher encountered enough unusual early trauma to justify both his profession and his acerbic outlook. Both his mother and father were deaf; as a boy, his mother abruptly broke up the family to move to California (“Oakland in the mid-eighties was a very interesting place to be white”), leaving his embittered father to retreat into an ultra-orthodox sect. Like many misfits, Kasher realized early on that class clown provided a potent identity. As an adolescent he took to drug and alcohol abuse with a vengeance, moving quickly from marijuana to LSD to dealing and wannabe gangsterism. He is frank about the appeal of drug abuse to self-loathing, marginalized teenagers: “I walked around the world convinced that I had some private information that had been kept from the rest of the squares in the world.” Kasher is equally honest about his callous treatment of his long-suffering mother and about his antagonistic trips through various rehab programs and special-needs schools. Yet his redemption arc is rather brisk; aware that any opportunity for a future was melting away, he ultimately decided at 16 to give up his atrocious habits on his own. “Why that day was any different, I don’t know,” he writes. “Something had died in me. My will had died. My childhood had died.” Throughout the narrative, Kasher relies on exaggerations, asides to the reader, general crudity and broad ethnic humor rooted in the absurdity of a Jewish adolescent narrator-observer in racially tense Oakland. However, the author provides keen observations, capturing grim yet mordantly funny details about the everyday life of lower-income people living hard lives in decayed urban environments. 

Not likely to appeal to everyone, but irascibly charming in its honesty.

Pub Date: March 28, 2012

ISBN: 978-0-446-58426-5

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: Feb. 19, 2012

Kirkus Reviews Issue: March 1, 2012

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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