Fast, light, and witty, Sutton’s second novel is a pleasure.



This fast-moving, wiseass, noir tale of murder and Hollywood features the return of bodyguard and bouncer Caleb Rush (Crush, 2015).

Crush (Caleb’s street name) has a simple task: his old friend Rachel Fury is paying him $500 to deliver an envelope and pick up a suitcase. The envelope is supposed to contain letters of transit from the movie Casablanca, for a collector of movie memorabilia. The suitcase is supposed to be full of cash, but both parties cheat each other. For her part, Rachel is “a part-time artist, part-time actress, and full-time grifter.” “It’s all a movie, Crush. And I’m the lead…conning rich bad guys and winning the heart of the Hunky Good-hearted Bodyguard Action Hero,” a perfect description of Crush. Like many of the characters, she’s manic and funny. Several years later, Crush happens upon an Oscar-nominated actress named Rachel Strayhorn passed out in a Porsche in the parking lot of a nightclub, dress hiked up and panty-free, being photographed by a bunch of guys with cellphones. Crush recognizes his friend Fury: “It’s a long con,” she tells him when he pulls her out of the car. “A very long con.” She even has her “very own stalker.” Crush, on the other hand, is a quiet tough guy who doesn’t use guns. “Your guns are you,” Rachel says. Her father, Lloyd, calls Crush “half Cossack and half Roman centurion.” Still, she says Crush will never make it as a grifter, because he’s too soft. Indeed, he hasn’t pulled a con in 10 years. They meet up with “film director and professional bad boy” Adam Udell, who makes action movies and has built a gleaming white pyramid in a cemetery as his “tomb-in-waiting.” People die, and Crush jumps bail after a bogus murder charge, but those are details in a tight plot that culminates in Oscar Night, where Rachel and Adam are both up for awards.

Fast, light, and witty, Sutton’s second novel is a pleasure.

Pub Date: Nov. 8, 2016

ISBN: 978-1-938849-84-8

Page Count: 224

Publisher: Prospect Park Books

Review Posted Online: Sept. 8, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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Amateurish, with a twist savvy readers will see coming from a mile away.


A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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