This one could make it to the big screen, but don’t wait for the movie. Buy the book. It may be the first of a long series.

CRUSH

A fast, crazy crime thriller filled with humor and smatterings of blood.

Caleb Rush, nicknamed Crush, is a big-ass hulk of a bartender, bouncer, and “immovable object” who works in an LA bar called the Nocturne.  “Rush had hurt a lot of martial-arts teachers,” so if you care to mess with this guy, you’d better either have a gun or a passel of gangbanger chums all jumping him at once. Young Amelia Trask watches Crush in action and learns he is Bulgarian, or maybe Mexican or Italian “or something.” Soon a dude in a Lamborghini tries to snatch her in front of the bar, and suddenly Crush is entangled in Amelia’s life. Gail, a “taekwondo master ‘slash’ bartender,” and Crush’s sort-of brother, Zerbe, are colorful characters adding spice to the plot. Rush had once protected Amelia’s father, Stanley, a “filthy rich, arrogant” thief “who a whole lot of people probably wanted dead” and who “probably stole loose change from his left pocket when his right pocket wasn’t looking.” Now Amelia wants Crush to protect her from the Russian Mafia, and despite his toughness, he may get himself killed in the process. Some great action scenes result, such as the one involving a GTO bursting out of a warehouse elevator. This brief novel crackles with sharp dialogue—“if you can’t lie to your wife, who can you lie to?”—and a witty narrative voice that put the reader in mind of Elmore Leonard. It’s not better than Leonard, but it’s surely in the master’s league. The author has won two Emmys and several other prestigious awards and already has a Crush sequel ready to roll titled Heart Attack & Vine.

This one could make it to the big screen, but don’t wait for the movie. Buy the book. It may be the first of a long series.

Pub Date: July 14, 2015

ISBN: 978-1-938849-36-7

Page Count: 224

Publisher: Prospect Park Books

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...

SPLIT SECOND

Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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