by M.P. Fedunkiw ‧ RELEASE DATE: Jan. 21, 2014
A charming, absorbing read for the academia-inclined that may struggle for readership outside its hallowed halls.
Three student friends contemplate whether the pursuit of academic accomplishment is ultimately fulfilling or futile in Fedunkiw’s debut novel.
At the University of Toronto in 2002, Lily Halton defends her dissertation and envisions the start of a successful academic career. She craved intellectual fulfillment over luxury when she started in the History of Science, Medicine and Technology Institute’s master’s degree program, and she made two fast friends with similar goals. Simon was posh, British, gay, and brilliant; Greg was always struggling to keep up with the intellectual powerhouses, but was a faithful friend. Lily’s only regret now is that they will soon part ways; Simon’s already at the University of Oxford and Greg still hasn’t finished at U of T. However, Lily’s expectations deflate when she struggles to obtain an academic post. A year of applications and living on crumbs finally yields her a fellowship at Oxford, joyously reuniting her with Simon. They embark on a companionable adventure there, enjoying both the school and the town. But their fellowships expire in a flash, leaving them both scrambling for new positions before they’re impoverished and homeless. Meanwhile, the struggle for academic success proves to be too much for Greg without the in-person support of his friends, and he abandons his degree. Hence, the novel follows Lily and Simon through a decade of struggling for financial stability, and no amount of published research seems to help them succeed in the system. Greg appears to be the only sensible one, making a life for himself outside academia. Fedunkiw’s prose epitomizes her insider’s knowledge of the academic system but isn’t hampered by the dry tone of the scholar. Her dialogue richly depicts each character; Simon, in particular, is, as Lily calls him, a “verbose pedant” whose every remark is a bon mot: “Never let it be said that I do not acknowledge, to use your vernacular, the little people.” Overall, she displays impressive writing skill, with only two minor criticisms: Simon is so engaging and central to the storyline, one wonders whether the novel would have been better from his point of view, and the fact that the story is mired in the minutiae of academic posts won’t make it appeal to the broadest of audiences.
A charming, absorbing read for the academia-inclined that may struggle for readership outside its hallowed halls.Pub Date: Jan. 21, 2014
ISBN: 978-1-4602-3379-5
Page Count: 270
Publisher: FriesenPress
Review Posted Online: Aug. 12, 2016
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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