An often engrossing and well-handled story of the 19th century.
In this historical novel, McIlvain tells a tale of love lost and found during the colonization of Texas in the 1820s.
Susannah Mobley, the white daughter of a country farmer in Natchitoches Parish, Louisiana, is closer to the enslaved Mama Jess and her son, Philippe, than she is to her own parents. Enslaver Jacob Mobley is a cruel man who treats people, including his daughter, as commodities; Louisa Mobley is often dulled by laudanum. Between 1817 and 1821, the teenage Susannah and Philippe fall in love. Although he tells her that “I’m not strong enough to resist taking you,” she continues seeing him, and they eventually consummate their love out of wedlock. By the time she graduates from New Orleans’ Ursuline Academy in 1821, she’s pregnant with their child. Philippe flees to San Antonio de Béxar in Texas and gives her a ring made of intricately knotted strands of her dark red hair as a sign that he’ll love her forever. To shield Philippe, she claims that the pregnancy is the result of a rape by a runaway enslaved man whom Jacob’s dogs recently killed. Susannah is quickly married to Hezekiah James, a Tennessean on his way to stake a Texas property claim who knows about her pregnancy. During their arduous journey to Texas, they homestead on the Brazos River; Susannah comes to admire and even love Hezekiah for his kindness and leadership. In these pages, McIlvain tells absorbing love stories, but she also explores the interpersonal relationships between enslavers and enslaved people, some of whom grew up together; “We’re like brothers,” says Hezekiah to Mason, a man whom he and his family enslaved. Mason answers that he is, in fact, enslaved to Hezekiah, later adding, “Takes a lot of twisting, Hez, to come up with family.” McIlvain also effectively delves into the friendships that develop between disparate women in a new settlement. Well-known figures from Texas history, including Stephen Austin, Jared Groce, and Baron de Bastrop, make appropriate appearances that add to the book’s feeling of historical verisimilitude.
An often engrossing and well-handled story of the 19th century.Pub Date: Dec. 19, 2023
ISBN: 978-4824189271
Page Count: 414
Publisher: Next Chapter
Review Posted Online: Feb. 6, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A flawed but necessary read about a dark moment in American history.
See’s latest novel exposes a forgotten, ugly chapter in LA history—the brutal 1871 massacre of 18 Chinese immigrant men and boys.
In July 1870, two Chinese women arrive in Lo Sang, a dusty frontier town known by its white and Hispanic residents as Los Angeles. Seventeen-year-old Dove, the bound-footed daughter of an imperial scholar fallen on hard times, is the new second wife of Old Man Sing, a merchant in the tiny Chinese community on Calle de los Negros. Barefoot, dark-skinned Petal, sold into servitude to a Gold Mountain tong by her desperately poor peasant father, is destined for the Midnight Garden, a bawdy house owned by Headman Sam. Witnessing the newcomers’ arrival is Moon, the wife of a successful doctor of traditional Chinese medicine. Unlike Petal and Dove, she speaks English, and she assists her husband in his clinic. The three alternating narratives—Petal tells her story as she lives it in 1870; an elderly Moon recalls past events from 1926; and Dove’s tale is recounted in a distant third-person voice—create a portrait of a tiny immigrant community surrounded by a hostile culture and ruled by rival tongs. It’s a shootout between these disputing factions that sets off the horrifying events of Oct. 24, 1871, when a mob of about 500 white and Latine residents torture and lynch their Chinese victims. Although meticulously researched, See’s novel feels curiously flat. Despite continual descriptions of gunfights breaking out, Los Angeles never fully comes to life as a rough-and-tumble Wild West town. While the author’s female protagonists, inspired by historical figures, are well drawn (kudos to the feisty and determined Petal), most of her male characters—Chinese, Anglo, and Mexican—are as flat and indistinguishable as cardboard. Another drawback is See’s stilted and stylized dialogue, typical of historical fiction but wearying to the modern reader.
A flawed but necessary read about a dark moment in American history.Pub Date: June 9, 2026
ISBN: 9781982117054
Page Count: 384
Publisher: Scribner
Review Posted Online: May 4, 2026
Kirkus Reviews Issue: June 1, 2026
BOOK REVIEW
BOOK REVIEW
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