Readers will likely welcome a sequel to this well-wrought historical family saga.


McIlvain (Stein House, 2013, etc.) takes readers back to Texas at the end of Reconstruction in a novel about a man trying to come to terms with his biracial son’s radical decision and the return of a woman whom he’d thought he’d lost. 

In 1875, plantation owner Al Waters’ gifted son Toby, who’s leaving for Harvard Medical School in the fall, comes home from a college graduation party enraged by a rumor that he’s not wholly white—although his skin is light enough that he can easily “pass” as Caucasian, as he has all his life. Al confesses that Toby’s mother was a black slave; Toby was conceived, Al says, on a night when he was drunk and despondent over the fact that a woman named Amelia wouldn’t leave her husband for him. Later, Toby, for reasons that are hard for Al to fathom, decides to embrace the black side of his heritage; the young man comes back from his first year at Harvard with his hair cut very close to highlight his new identity. Al had married his brother’s widow and freed her slaves, and he now runs the plantation as a cooperative with the freedmen; members of the Ku Klux Klan try to terrify the cooperative into submission, but they’re beaten back. Meanwhile, Al continues to struggle with his son’s choices. To say that McIlvain writes well is an understatement; she makes readers truly feel for her characters, and as a result, they seem very much like real people, not fictional ones. Among the notable secondary players is Amelia, whom Al marries, and she helps him reconcile with Toby in a process that proves to be long and subtle. There’s definitely a sagalike quality to McIlvain’s tale, with key moments of both sorrow and optimism—good people die, but others carry on and have children. She also offers an ending that will remind readers that the end of Reconstruction was also the beginning of Jim Crow. But still, through it all, one gets a sense of indomitable hope.

Readers will likely welcome a sequel to this well-wrought historical family saga.

Pub Date: Nov. 6, 2018

ISBN: 978-1-63363-351-3

Page Count: 368

Publisher: White Bird Publications

Review Posted Online: Dec. 12, 2018

Kirkus Reviews Issue: Feb. 15, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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More about grief and tragedy than romance.


Five friends meet on their first day of kindergarten at the exclusive Atwood School and remain lifelong friends through tragedy and triumph.

When Gabby, Billy, Izzie, Andy and Sean meet in the toy kitchen of the kindergarten classroom on their first day of school, no one can know how strong the group’s friendship will remain. Despite their different personalities and interests, the five grow up together and become even closer as they come into their own talents and life paths. But tragedy will strike and strike again. Family troubles, abusive parents, drugs, alcohol, stress, grief and even random bad luck will put pressure on each of them individually and as a group. Known for her emotional romances, Steel makes a bit of a departure with this effort that follows a group of friends through young adulthood. But even as one tragedy after another befalls the friends, the impact of the events is blunted by a distant narrative style that lacks emotional intensity. 

More about grief and tragedy than romance.

Pub Date: July 24, 2012

ISBN: 978-0-385-34321-3

Page Count: 322

Publisher: Delacorte

Review Posted Online: Nov. 14, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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