Readers will likely welcome a sequel to this well-wrought historical family saga.



McIlvain (Stein House, 2013, etc.) takes readers back to Texas at the end of Reconstruction in a novel about a man trying to come to terms with his biracial son’s radical decision and the return of a woman whom he’d thought he’d lost. 

In 1875, plantation owner Al Waters’ gifted son Toby, who’s leaving for Harvard Medical School in the fall, comes home from a college graduation party enraged by a rumor that he’s not wholly white—although his skin is light enough that he can easily “pass” as Caucasian, as he has all his life. Al confesses that Toby’s mother was a black slave; Toby was conceived, Al says, on a night when he was drunk and despondent over the fact that a woman named Amelia wouldn’t leave her husband for him. Later, Toby, for reasons that are hard for Al to fathom, decides to embrace the black side of his heritage; the young man comes back from his first year at Harvard with his hair cut very close to highlight his new identity. Al had married his brother’s widow and freed her slaves, and he now runs the plantation as a cooperative with the freedmen; members of the Ku Klux Klan try to terrify the cooperative into submission, but they’re beaten back. Meanwhile, Al continues to struggle with his son’s choices. To say that McIlvain writes well is an understatement; she makes readers truly feel for her characters, and as a result, they seem very much like real people, not fictional ones. Among the notable secondary players is Amelia, whom Al marries, and she helps him reconcile with Toby in a process that proves to be long and subtle. There’s definitely a sagalike quality to McIlvain’s tale, with key moments of both sorrow and optimism—good people die, but others carry on and have children. She also offers an ending that will remind readers that the end of Reconstruction was also the beginning of Jim Crow. But still, through it all, one gets a sense of indomitable hope.

Readers will likely welcome a sequel to this well-wrought historical family saga.

Pub Date: Nov. 6, 2018

ISBN: 978-1-63363-351-3

Page Count: 368

Publisher: White Bird Publications

Review Posted Online: Dec. 12, 2018

Kirkus Reviews Issue: Feb. 15, 2019

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A strange, subtle, and haunting novel.

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A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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