by N. A. Bottari ‧ RELEASE DATE: April 5, 2014
An ambitious thriller that will excite and inspire readers to seek out forthcoming books in the series.
In Bottari’s debut dystopian thriller set in the near future, the American government initiates a directive to take total control of the country.
U.S. Army Col. Nick Fizer is ready to enjoy a little rest and relaxation with his wife, Stephy, at his parents’ West Virginia farm. However, he’s understandably concerned when he learns that the government’s been trying to seize the property. It turns out that taking ownership of private land is just one goal of the Olympus Project Strategic Execution and Implementation Manifesto Directive, a classified government document signed back in 1901. Nick is one of the few people who’s read it, and he knows that Phase I of the Olympus Project has likely begun. He’s likewise aware that Phase II, which entails military mobilization, is all set to go, with United Nations peacekeeping forces stationed in secret underground compounds. As a precaution, Nick and his family head to Alaska, which he believes may be a safe haven from the implementation of martial law. Bottari’s novel is epic in scale, focusing on numerous characters around the United States, including a widow named Miriam and her two young kids in Alaska; a recently promoted Army colonel, Falcon Colby, on his first assignment with the Department of Defense’s Regional Operations Command; and Russian soldier Malikov, who’s serving with the U.N. peacekeeping forces when he’s arrested for killing an American officer. The stories are each distinctive, but they all relate to the overarching plot of the OPSEIM Directive. Miriam and her children, for instance, brave a freak August blizzard that may be the result of the government manipulating the weather. The book, the first in a planned series, sometimes feels more like a lengthy introduction; for example, several characters spend pages speculating about what’s to come in lieu of any of it actually happening, and much of the story, including the officer’s murder, remains unresolved. But Bottari does know how to effectively tease readers, as she merely hints at the details of the directive, leaving Phase III a pure mystery. The author’s prose, too, is playful and intoxicating, such as her description of a blistering storm: “the deep biting cold that stiffened his brittle bones, and the snow that stung his flesh.”
An ambitious thriller that will excite and inspire readers to seek out forthcoming books in the series.Pub Date: April 5, 2014
ISBN: 978-0990317500
Page Count: 530
Publisher: Wolf Rock Publishing
Review Posted Online: Jan. 26, 2015
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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