Memorable and moving, these pared-down poems have a compelling tensile strength.


With precise grace, this poetry collection examines cycles of destruction and growth.

In her debut collection, Colburn offers poems (many previously published in literary journals) that tend to inhabit either pole of the natural/artificial divide. The process of becoming is one manifestation of the first pole, as in “Plenitude/Pregnancy,” a nine-part poem—like the nine months of gestation—in which the speaker is expecting in both senses of the word. Her hopes for the future are thrown by recognition of life’s vulnerability. Similar poems bring the poet’s attention to living things and the threats they face. People starve; species go extinct; “Yes, certainly we will destroy ourselves,” she concludes in “The Natural World.” The opposite pole is often represented by the notion of boxes, essentially unnatural spaces that offer safety but captivity. Yet they also offer “the idea of escape itself,” as in Mark Rothko’s painted rectangles, which take the viewer “Inside and inside.” Similarly, natural or creative sterility contains the space for returning vigor: “And when the words came: O Land of the very-seen: / alive and green.” In other poems, Colburn searches for ways to bring her opposites together. In “Explanation of the World,” whose second line gives the collection its title, a high shelf holds “boxes, spaced: just   so,” yet above, below, and beyond is the uncontainable—“firmaments” and “the sound of the sea.” The concluding poems continue to explore the resolution of division by joyfully confirming the power of what is. In “Time Box,” for example, the opening line—“Certainly, the immortal soul”—suggests a counter to the speaker’s earlier certainty of self-destruction. Spare, elegant, and perceptive, these poems are charged with the numinous, a haikulike attention to essence. Some pieces recall Hopkins’ notion of inscape: “The world in-latched. Of-itself made.” Colburn’s lines often hesitate, stopping themselves with a dash, colon, or spaces (“So many, so many, each one: // one:   numberless:”), a powerful silence similar to rests in music or white space in a painting.

Memorable and moving, these pared-down poems have a compelling tensile strength. (Poetry, 12+)

Pub Date: Dec. 31, 2019

ISBN: 978-1-944585-36-5

Page Count: 90

Publisher: The Word Works

Review Posted Online: Sept. 24, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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An exhilarating ride through Americana.


Newly released from a work farm in 1950s Kansas, where he served 18 months for involuntary manslaughter, 18-year-old Emmett Watson hits the road with his little brother, Billy, following the death of their father and the foreclosure of their Nebraska farm.

They leave to escape angry townspeople who believe Emmett got off easy, having caused the fatal fall of a taunting local boy by punching him in the nose. The whip-smart Billy, who exhibits OCD–like symptoms, convinces Emmett to drive them to San Francisco to reunite with their mother, who left town eight years ago. He insists she's there, based on postcards she sent before completely disappearing from their lives. But when Emmett's prized red Studebaker is "borrowed" by two rambunctious, New York–bound escapees from the juvie facility he just left, Emmett takes after them via freight train with Billy in tow. Billy befriends a Black veteran named Ulysses who's been riding the rails nonstop since returning home from World War II to find his wife and baby boy gone. A modern picaresque with a host of characters, competing points of view, wandering narratives, and teasing chapter endings, Towles' third novel is even more entertaining than his much-acclaimed A Gentleman in Moscow (2016). You can quibble with one or two plot turns, but there's no resisting moments such as Billy's encounter, high up in the Empire State Building in the middle of the night, with professor Abacus Abernathe, whose Compendium of Heroes, Adventurers, and Other Intrepid Travelers he's read 24 times. A remarkable blend of sweetness and doom, Towles' novel is packed with revelations about the American myth, the art of storytelling, and the unrelenting pull of history.

An exhilarating ride through Americana.

Pub Date: Oct. 5, 2021

ISBN: 978-0-73-522235-9

Page Count: 592

Publisher: Viking

Review Posted Online: June 22, 2021

Kirkus Reviews Issue: July 15, 2021

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As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world.

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An ancient Greek manuscript connects humanity's past, present, and future.

Stranger, whoever you are, open this to learn what will amaze you” wrote Antonius Diogenes at the end of the first century C.E.—and millennia later, Pulitzer Prize winner Doerr is his fitting heir. Around Diogenes' manuscript, "Cloud Cuckoo Land"—the author did exist, but the text is invented—Doerr builds a community of readers and nature lovers that transcends the boundaries of time and space. The protagonist of the original story is Aethon, a shepherd whose dream of escaping to a paradise in the sky leads to a wild series of adventures in the bodies of beast, fish, and fowl. Aethon's story is first found by Anna in 15th-century Constantinople; though a failure as an apprentice seamstress, she's learned ancient Greek from an elderly scholar. Omeir, a country boy of the same period, is rejected by the world for his cleft lip—but forms the deepest of connections with his beautiful oxen, Moonlight and Tree. In the 1950s, Zeno Ninis, a troubled ex–GI in Lakeport, Idaho, finds peace in working on a translation of Diogenes' recently recovered manuscript. In 2020, 86-year-old Zeno helps a group of youngsters put the story on as a play at the Lakeport Public Library—unaware that an eco-terrorist is planting a bomb in the building during dress rehearsal. (This happens in the first pages of the book and continues ticking away throughout.) On a spaceship called the Argos bound for Beta Oph2 in Mission Year 65, a teenage girl named Konstance is sequestered in a sealed room with a computer named Sybil. How could she possibly encounter Zeno's translation? This is just one of the many narrative miracles worked by the author as he brings a first-century story to its conclusion in 2146.

As the pieces of this magical literary puzzle snap together, a flicker of hope is sparked for our benighted world.

Pub Date: Sept. 28, 2021

ISBN: 978-1-982168-43-8

Page Count: 656

Publisher: Scribner

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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