Hohn contrasts Caribbean and Canadian cultures tenderly, with deep understanding of both, and she and Luxbacher have created...
Malaika is delighted to see her mother again, but after a brief stay in their Caribbean island home, she’s taking Malaika to her new home in Canada, along with her new, white French-Canadian husband, Mr. Frédéric, and his daughter, Adèle.
Though her new family is pleasant and welcoming, Malaika’s annoyed with the cold, the layers of puffy clothes she has to wear, the new language she has to learn, and—the last straw—when the family goes to a carnival, there are no bright, beautiful costumes as at Carnival at home (the subject of Malaika’s Costume, 2016). Malaika kicks over Adèle’s snow castle out of frustration. The next day, Malaika and her grandmother have a video chat, which lifts her spirts and reminds her of friends and family, and she decides to give this new home a chance. She starts with an apology to Adèle, who embraces her new sister and teachers her to catch the newly falling snowflakes on her tongue. As in the previous book, Hohn uses Malaika’s lovely patois to tell the story, which teaches Caribbean and French terms as well as focusing on the primary story of coping with a new country and a blended family. Luxbacher’s mixed-media collages are wonderful, vibrant, and expressive, and both the cover and final pages tell the happy ending without a word.
Hohn contrasts Caribbean and Canadian cultures tenderly, with deep understanding of both, and she and Luxbacher have created a sweet, immersive and loving book that will benefit both young new arrivals to a country and those just meeting them. (Picture book. 3-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-55498-920-1
Page Count: 36
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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