A promising retelling that misses the magical mark.
A fantasy that reimagines the fate of Anastasia Romanov and her family.
It's 1918, and Nastya and her family are in exile in Tobolsk, Russia. With no clue as to what the family’s fate will be, her Papa, the deposed Tsar Nikolai, gives Nastya the mission of finding the magical matryoshka doll created by Vasily Dochkin, “Russia’s most respected and skilled spell master,” which could save the family. The family is relocated to Ekaterinburg, and, throughout their confinement, Nastya’s Papa stresses the importance of kindness and forgiving their captors. She commits to following his example by befriending one of the Bolshevik guards watching the family, Zash, a young man from an unspecified semi-nomadic Siberian ethnic group who has his own reasons for hating the Romanovs. As the Romanov family adjusts to their new life, Nastya and Zash grow closer even though they know only pain can come of their relationship. Then the unimaginable happens—and Nastya must find a way to save her family. Brandes’ (Fawkes, 2018, etc.) accuracy in this retelling—the majority of the characters and events are true—and the bits of Russian sprinkled throughout are highlights. However, the second half of Nastya’s story is a noticeable departure from the well-paced beginning; it feels almost like a separate story with a forced romance and a focus on Nastya’s internal turmoil.
A promising retelling that misses the magical mark. (author’s notes, discussion questions) (Historical fantasy. 13-18)Pub Date: May 7, 2019
ISBN: 978-0-7852-1724-4
Page Count: 352
Publisher: Thomas Nelson
Review Posted Online: March 12, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
Eerie and mysterious.
Sixteen-year-old orphaned twin sisters become embroiled with a coven of witches.
When the orphanage’s night matron attacks Ophelia and Serena, white-presenting twins “born on either side of midnight,” Serena’s previously untapped magical powers emerge. She sends a bolt of lightning hurtling toward the night matron. Ultimately the twins must be saved by two witches, who reveal that their adversary was a Dark Witch in disguise. Their rescuers—Sagittarius, who has tawny brown skin, jet black hair, and “almond eyes” and can conjure portals, and Leo, a pale-skinned redhead with the power of telekinesis—are part of a coven based on star signs, with new members born each year. The Twelve are duty-bound to kill Dark Witches. After they’re whisked away from the orphanage, the sisters are introduced to other members of the coven, each named for an astrological sign, including ebony-skinned Taurus, who’s their head witch. Ophelia and Serena are pressured to join as Pisces and Aries in order to help the group assemble the strongest force possible for their inevitable battle against the Dark Twelve, who are led by the world’s highest-ranked witch. This atmospheric, pulse-pounding fantasy of sisterhood and witchcraft initially seems like a classic tale of good versus evil but quickly becomes something much more ambiguous but no less chilling. Unfortunately, it can be difficult to differentiate among the large cast due to some of their personalities being underdeveloped.
Eerie and mysterious. (Fantasy. 13-18)Pub Date: Feb. 24, 2026
ISBN: 9780063339552
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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