An elegant if perplexing tale by one of modern Arabic literature’s greatest voices.
Enigmatic story by the Nobel Prize-winning Egyptian novelist Mahfouz.
“Al-Rawi. I am Jaafar al-Rawi, Jaafar Ibrahim Sayyid al-Rawi.” The pride in which the protagonist of Mahfouz’s novella takes in giving his name is about the only moment in which he is able to take any pride at all. His grandfather has left his fortune to a waqf, a kind of charitable trust, and not a cent to him. Thinks the narrator, “I was convinced that no one rejected his heirs for no reason. What had you done, Jaafar?” What had he done, indeed? The unstated question, prelude to the narrator’s suggestion that he try talking to his grandfather rather than filing a lawsuit, takes Jaafar deep into his past: He tells of a father who died young, a mother who “talked to the jinn, the birds, inanimate beings, and the dead,” and a grandfather who doesn’t seem such a bad guy and who encourages Jaafar’s religious leanings by saying, “You will find out that every book is a book about religion and every location is a place of worship, whether in Egypt or in Europe.” Ah, but then the secular enters, and things begin to sour: Jaafar marries a woman who “was only a sexual provocation; not a housewife, a mother, or a woman in the true sense of the word” (it’s to be remembered that Mahfouz, though politically progressive, was born in 1911), divorces, remarries, then lands in jail for having killed a frenemy who objected to Jaafar’s quest to found a political party based on a concocted ideology that was “the logical heir of Islam, the French Revolution, and the communist revolution.” There’s an awful lot going on in all that, and Mahfouz, an anti-Islamist, seems to be subtly criticizing events of his time. Whatever the case, now Jaafar is left to wander in the ruins of his grandfather’s villa, broke and perhaps insane: “Let life be filled with holy madness to the last breath” is his last utterance.
An elegant if perplexing tale by one of modern Arabic literature’s greatest voices.Pub Date: Oct. 13, 2020
ISBN: 978-977-416-998-4
Page Count: 90
Publisher: American Univ. in Cairo
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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