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KIN

CHILDHOOD, PARENTING, AND THE MAKING OF CIVILIZATION

A wide-ranging and thought-provoking study of childrearing throughout human history.

Nguyen presents a sweeping history of human childhood and close kinship through the millennia.

In his latest book, the author of Raising Genius: Mozart, Einstein, Jobs: The Price of Brilliance (2025) draws on his background in psychology, neuroscience, and business strategy to lay out the ever-evolving story of how humans have raised their children over the centuries. “To raise a child is always to wager on tomorrow,” writes, “but in our age, the stakes extend beyond families or nations—to the survival of humanity itself.” This allusion to the uncertain state of childrearing in the modern era threads through the whole book, sharpened by the author’s central contention that the 19th century represented a watershed era in changing attitudes: a time when at least an attempt at systematic humanitarian regulations was in place throughout the Western world. On one side of that moment was “exhaustion, injury, and death,” with countless children scarred, deformed, and outright killed in mines and factories; but the period also saw legally mandated basic education, child labor laws, and punishments for abuses. “Without suffering,” Nguyen writes, “innocence might never have been defended.” Nguyen spends a fair amount of time detailing the infamous era of premodern child factory work; even as Enlightenment-era philosophers were describing the innocence and potential of childhood, “industrial capitalism was preparing to use children in a very different way: not as citizens of the future, but as labor for the present.” Consulting sources in anthropology, archeology, and more, Nguyen traces the story of kin-rearing down to the present day.

Nguyen’s study of this sprawling subject is surprisingly nuanced considering that his book has fewer than 350 pages (there’s a generous endnotes section). His story spans from Neolithic times to the present day, touching on various eras in order to illustrate the dualities that have always characterized motherhood, to pick one example: “Across continents, the maternal archetype embodies both the promise of survival and the threat of loss,” he writes in a typical passage. Inevitably, the amount of compression and summary his format imposes occasionally leads the author into facile reductions or inaccuracies. (“Marriage also reshaped emotions,” goes one such passage. “Love did not vanish, but it was constrained by contract.”) But the book’s most fascinating element is Nguyen’s theories about the nature of the present, when millions of children face starvation while still others seem to spend as much time on tablet screens as they do with their parents. Throughout, he refers back to the powerful communal element that’s crucial to healthy childrearing: “Evolution did not leave parenting to instinct alone,” he writes. “It rewrote our chemistry so that nurturing others became pleasurable, even addictive.” Likewise intriguing is his linkage of parenting with religion, noting that “before humans saw gods in the heavens, they saw parents in their shelters…the gods we made were the parents we already knew.” The book is a formidable combination of informed historical consideration and deeper connections between eras and social theories.

A wide-ranging and thought-provoking study of childrearing throughout human history.

Pub Date: Sept. 1, 2026

ISBN: 9781069754646

Page Count: 408

Publisher: N/A

Review Posted Online: Aug. 6, 2026

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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