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INTERSECTION

Name: INTERSECTION
Author: Nancy Ann Healy
ISBN: 978-0615934181

by Nancy Ann Healy ‧ RELEASE DATE: Jan. 23, 2014

Though bumpy at times, this welcome addition to the crime-fiction genre features a refreshingly new type of heroine.

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In this law enforcement procedural much in the vein of William J. Caunitz and Bill Pronzini, two FBI agents are assigned to protect a congressman who’s getting threatening letters.

Healy’s taut debut novel launches immediately into the action: FBI agents Alex Toles (a female) and Brian Fallon are assigned to investigate anonymous threatening letters being sent to New York “golden boy” Congressman Christopher O’Brien. When they get to New Rochelle, Fallon will pose as a Secret Service addition to the congressman’s staff, while Toles will act as a PR assistant to O’Brien’s strong-willed ex-wife, Cassidy, an English teacher, and thereby be in a good position to watch over both Cassidy and her and O’Brien’s 6-year-old son, Dylan. A sexual and romantic attraction sparks between idealistic Cassidy and love ’em–and–leave ’em Toles—fairly standard for the genre, except for the lesbian bent. The novel’s matter-of-fact approach to that point will exasperate some readers even as others might appreciate how candid it is. Both Toles and O’Brien have ties to the president; the congressman is “point person on several key pieces of legislation,” and the agent served under the president years ago when they were both stationed in Iraq. The central drama of the plot is well-handled, as it gradually becomes apparent that there are higher stakes at play than a relatively simple case of an obsessed stalker. But the writing can sometimes fall flat: Toles “was tall and muscular but still feminine in a way that was almost indescribable,” and she “had a presence that Cassidy could not describe.” More importantly, some of the technical details of the plot aren’t convincing, particularly since Toles pays more attention to Cassidy than she does to her assignment. The complex depictions of both Toles’ and Cassidy’s sexualities and personalities are refreshing, however, and the book’s climactic action scenes, though predictable, are well-paced.

Though bumpy at times, this welcome addition to the crime-fiction genre features a refreshingly new type of heroine.

Pub Date: Jan. 23, 2014

ISBN: 978-0615934181

Page Count: 490

Publisher: Bumbling Bard Creations

Review Posted Online: March 24, 2014

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

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Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

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THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

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Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.