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INTERSECTION

Name: INTERSECTION
Author: Nancy Ann Healy
ISBN: 978-0615934181

by Nancy Ann Healy ‧ RELEASE DATE: Jan. 23, 2014

Though bumpy at times, this welcome addition to the crime-fiction genre features a refreshingly new type of heroine.

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In this law enforcement procedural much in the vein of William J. Caunitz and Bill Pronzini, two FBI agents are assigned to protect a congressman who’s getting threatening letters.

Healy’s taut debut novel launches immediately into the action: FBI agents Alex Toles (a female) and Brian Fallon are assigned to investigate anonymous threatening letters being sent to New York “golden boy” Congressman Christopher O’Brien. When they get to New Rochelle, Fallon will pose as a Secret Service addition to the congressman’s staff, while Toles will act as a PR assistant to O’Brien’s strong-willed ex-wife, Cassidy, an English teacher, and thereby be in a good position to watch over both Cassidy and her and O’Brien’s 6-year-old son, Dylan. A sexual and romantic attraction sparks between idealistic Cassidy and love ’em–and–leave ’em Toles—fairly standard for the genre, except for the lesbian bent. The novel’s matter-of-fact approach to that point will exasperate some readers even as others might appreciate how candid it is. Both Toles and O’Brien have ties to the president; the congressman is “point person on several key pieces of legislation,” and the agent served under the president years ago when they were both stationed in Iraq. The central drama of the plot is well-handled, as it gradually becomes apparent that there are higher stakes at play than a relatively simple case of an obsessed stalker. But the writing can sometimes fall flat: Toles “was tall and muscular but still feminine in a way that was almost indescribable,” and she “had a presence that Cassidy could not describe.” More importantly, some of the technical details of the plot aren’t convincing, particularly since Toles pays more attention to Cassidy than she does to her assignment. The complex depictions of both Toles’ and Cassidy’s sexualities and personalities are refreshing, however, and the book’s climactic action scenes, though predictable, are well-paced.

Though bumpy at times, this welcome addition to the crime-fiction genre features a refreshingly new type of heroine.

Pub Date: Jan. 23, 2014

ISBN: 978-0615934181

Page Count: 490

Publisher: Bumbling Bard Creations

Review Posted Online: March 24, 2014

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

Categories:

GENERAL FICTION

- BOOK REVIEW
IN A NARROW GRAVE
by Larry McMurtry

- BOOK REVIEW
THALIA
by Larry McMurtry

- BOOK REVIEW
THE LAST KIND WORDS SALOON
by Larry McMurtry

- PERSPECTIVES
From the Editor’s Desk: Watching Revered Writers Watch Themselves

- IN THE NEWS
Novelist Larry McMurtry Dies at 84

- SEEN & HEARD
‘Lonesome Dove’ Is Pick for New Texas Book Club

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).