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THE HILLS AT HOME

Charming, old-fashioned, and leisurely: Reminiscent of Elizabeth Bowen or Muriel Spark, with petty strifes rendered truly as...

A witty debut (first of a trilogy) about a New England clan whose members come together for a reunion—and can’t quite manage to go home again.

Lily Hill has the misfortune of being kindhearted and possessed of an old-fashioned sense of hospitality. Not quite elderly, Lily is the sort of New England spinster who keeps a Kleenex up her sleeve and serves Ritz crackers with the cocktails. In the summer of 1989, she’s happy to receive a visit from her thrice-widowed brother Harvey, who comes to stay as he awaits the sale of his own house near Boston. Soon he and Lily are joined by their niece Ginger and Ginger’s daughter Betsy, who are running away from Ginger’s husband Louis. Ginger has decided (against Betsy’s advice) to become a novelist, and it seemed to her that Lily’s place would provide a quiet setting to put her thoughts in order. She obviously hadn’t counted on the arrival of her brother Alden, with his wife and four children. Alden has just lost his job on Wall Street and needs a base of operations to start a new business selling “boutique firewood.” By the time Harvey’s grandson Arthur shows up with his girlfriend Phoebe (Arthur has lost a job, too), they have to make do with the old caretaker’s apartment in the barn: the house is full and Lily has reached the point where she’s hiding the toilet paper and no longer changing the sheets. The final arrival is the strangest of all: a sociology student named Andy Happening, who’d been introduced by his thesis adviser, an old friend of Lily’s who thought the Hill family would make an excellent study in intergenerational dynamics. After a few months, however, the Hills might provide a better example of civil war.

Charming, old-fashioned, and leisurely: Reminiscent of Elizabeth Bowen or Muriel Spark, with petty strifes rendered truly as both comic (in their pettiness) and poignant (in their strife).

Pub Date: Feb. 18, 2003

ISBN: 0-375-42203-X

Page Count: 496

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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