A keeper of a book by a talented author.
A debut memoir that recounts a woman’s tragic loss and hard-won survival.
On July, 23, 1994, lightning struck Bills’ husband and their son—pseudonymously called “Geoff” and “Teddy” here, respectively—as they were kayaking off the coast of Maine. The strike took Geoff’s life and nearly did the same to Teddy. The author and several members of her family, including Teddy’s older brother, “Simon,” and his wife, rushed to the hospital in the nearby town of York, Maine. It was initially touch and go for Teddy, but he came through. Then, as Teddy recuperated physically, he and the author faced psychological and spiritual recuperation—which sometimes seemed to be a matter of taking one step forward and two steps back. After this tragedy, death seemed to shadow the author for the next few years; her aged parents back in Montana passed away, as did her uncle and Geoff’s sister, who was such a rock for her after the lightning strike. These losses engender a booklong meditation on mortality. However, Bills does survive the ordeal, and an afterword lets readers know that today, she, Teddy, and Simon are all doing OK. Memoirs of loss and survival are rather common, but what sets this one apart is Bills’ extraordinary perceptiveness and writing talent, as when she notes that “I’m a woman with an emotional thermometer always in her mouth.” Bills also raises intriguing questions, such as whether the obituary cliché “he died peacefully” is really ever true. Essentially the book is a collection of essays, but she uses fictional techniques when appropriate, and some chapters are given over to very impressive poetry. She poignantly evokes a happier past in her chapters about Geoff (they were separated at the time of his death) and their young family. And a chapter titled “The Myth,” in which she asks Geoff questions directly, is exceptionally and deeply moving. There are even moments of goofiness in a chapter on a graveside service (“Planting Iris”), which may take some readers aback, although it’s clear that the author understood the need for occasional levity.
A keeper of a book by a talented author.Pub Date: May 28, 2019
ISBN: 978-1-63152-573-5
Page Count: 216
Publisher: She Writes Press
Review Posted Online: March 12, 2019
Kirkus Reviews Issue: April 15, 2019
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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