A charming novel charts a child’s intellectual and emotional journey as she copes with a new set of classmates.



Freund (Global Home Cooking, 2014, etc.) relates the adventures of a grade school girl in the Midwest in this energetic YA novel.

Sandy Drue encounters some trouble at her new school. Her family recently relocated from New York City, and her mother’s free-spirited advice fails to help Sandy deal with her inquisitive peers. Sandy recounts being cornered on the playground by her fellow students, who ask which religion she belongs to; Sandy doesn’t know. “You get to believe whatever you decide to believe,” her mother tells her later, even if the girl would prefer a simpler answer. She begins to think of herself as a weirdo (her mother tells her, “The word to use is ‘avant-garde’ ”), though her boundless curiosity for the way the world works keeps her open to the customs of her new school and the changes that come with growing up. After all, there are games to be played, words to be learned, crafts to be made, and a whole series of firsts—good and bad—along the way. In short chapters assembled in a stream-of-consciousness fashion, the novel leaps around Sandy’s childhood from ages 8 to 13, detailing the incremental moments of her development. Freund writes with infectious vitality, perfectly channeling the voice of Sandy in all her precocious naiveté. The reading experience is analogous to that of being a 7-year-old and having the world explained by a 10-year-old. Here, Sandy describes what life was like in the “Olden Days”: “I think everyone had an English accent, even if it was kind of fake, but I don’t know that for sure because they didn’t have tape recorders then.” The novel’s episodic structure shrewdly replicates the rhythms of childhood: issues arise, have meaning, and are forgotten. New days bring new exploits and stir random memories. Freund occasionally drifts into moments of writerly awareness (Sandy at one point sings the praises of Judy Blume’s Are You There, God? It’s Me, Margaret.), but for the most part, her creation remains immersive, enjoyable, and at times quite moving. 

A charming novel charts a child’s intellectual and emotional journey as she copes with a new set of classmates.

Pub Date: May 10, 2015

ISBN: 978-0-9887084-8-8

Page Count: 232

Publisher: Gobreau Press

Review Posted Online: Nov. 11, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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A YA novel that treats its subject and its readers with respect while delivering an engaging story.



In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.

In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.

A YA novel that treats its subject and its readers with respect while delivering an engaging story.

Pub Date: Jan. 1, 2004

ISBN: 978-1591940173

Page Count: 152

Publisher: Townsend Press

Review Posted Online: Jan. 26, 2013

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A


Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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