by Nancy A. Hughes ‧ RELEASE DATE: Oct. 27, 2018
An engrossing read that’s built around a chilling premise.
In this final volume of Hughes’ (Redeeming Trust, 2017, etc.) mystery trilogy, a married couple’s infant son is kidnapped and police are convinced that they’re responsible for his disappearance.
Kingsley Ward—whose first husband was murdered in the series opener, A Matter of Trust (2017), and who was a target of the murderer’s accomplice in the second installment—has finally found happiness with Todd Hennings, the president of Keynote National Bank, in central Pennsylvania. Married less than a year, the couple just celebrated the christening of their first child. Kingsley returns to work at Keynote, where she runs the commercial lending department. The company has an excellent child care facility with extraordinary security precautions. However, someone still manages to get past all the cameras, witnesses, and protocols to abduct 10-week-old Billy Hennings. The cops believe that Kingsley and Todd are somehow involved, so the couple is left to their own devices to find their baby before it’s too late. As they investigate, Kingsley realizes that Billy may not have been the kidnapper’s original target. With the help of two friends—Barrie Brown and her significant other, Randall Shannon—Kingsley and Todd begin their own investigation, which soon has them flying around the country. Readers are privy to information that the protagonists lack, so the challenge isn’t in understanding the motives for the kidnapping—it’s in figuring out how the plan was executed, and here, some intriguing twists emerge. Hughes constructs a meticulous scheme that involves many different players, and she employs solid description and engaging dialogue to keep the narrative moving along. Although the book is part of a series, it works just fine as a stand-alone. Kingsley is a well-defined character, even without the recaps of earlier novels, although Todd is relatively underdeveloped. Barrie and Randall’s relationship provides entertaining moments of light relief from the frightening primary storyline.
An engrossing read that’s built around a chilling premise.Pub Date: Oct. 27, 2018
ISBN: 978-1-64437-001-8
Page Count: 348
Publisher: Black Opal Books
Review Posted Online: Nov. 16, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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