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LIFE WITHOUT WATER

First-novelist Peacock offers a canny child's-eye view of a euphoric but ultimately fragile experiment in communal living. The narrator, Cedar, was born in 1969 in North Carolina. Her mother Sara, devastated at the time by the recent death of her brother Jimmie in Vietnam, had succumbed to the seductions of bandana-wearing Sol and had moved with him into an abandoned house without plumbing, where the two lived off the proceeds of Sol's dope dealing. Sol draws on the walls and paints the floor like a rainbow, and when Cedar is born, he has 60 friends over to celebrate. When Cedar is four, Sara puts her mattress in the van and she and Cedar leave—the house is cold and Sol passes out too often. Heading into Taos, the van breaks down, and handsome Daniel gives Sara and Cedar a lift. He has a girlfriend but falls for Sara anyway, and soon the trio is headed back to North Carolina, to the house that they're sure Sol couldn't have kept up on his own. Acquaintances Woody and Elaine and their two kids move in, too. Elaine bakes, Woody makes pots, and the children become best friends, and Sara is pregnant with Daniel's baby. Then Woody invites griping, unpleasant Topaz to stay, and suddenly Daniel is reading poetry to her, and then he's moved into her bedroom. Sara takes to her own bed, where she's nursed by Cedar; Daniel skulks in Topaz's room, sneaking down at night to steal food. And then Topaz is pregnant. She departs, and Daniel wants back into the family, but the house burns down and everyone's idyll is over. College-age Cedar's recollections are both wise and forgiving and add up to a complex blend of undiluted nostalgia for those anarchic days with the warmth of her extended family, and a clear-eyed view of the complexities within that edenic world. In an accomplished debut, a dead-on rendition of the idealism and the emotional flux of an untraditional household.

Pub Date: Oct. 3, 1996

ISBN: 1-56352-337-X

Page Count: 176

Publisher: Longstreet

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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