There’s a fairy-tale quality to the narrative voice and extreme premises of this book that some will find endearing.
He’s a celebrity dentist and a prince of a guy; she’s a damaged, brilliant young woman obsessed with someone she dated in college. Can their marriage be saved?
Lizzie Bultmann, the protagonist of celebrity librarian Pearl’s (Book Lust To Go, 2010, etc.) debut novel, is the daughter of a pair of famous behavioral psychologists at the University of Michigan who raised her not as a loved one but as an experimental subject. Partly because she wants them to “wake…up enough to finally see her” for the extremely unhappy person she is, and also because she somehow thinks it will be fun, she embarks on what she calls The Great Game, in which she has sex with all 23 starters of her high school football team, one per week. Originally, she and her best friend were going to each take half, but the other girl was just joking around. Lizzie grimly executes her plan, resulting in a permanent “post-game show” in her head in which voices berate her for “what a terrible person she’d been and always would be.” The next time Lizzie has sex it is with Jack, a boy she falls madly in love with at college; they bond over their mutual admiration for the poetry of A.E. Housman. (Lots of fun literary references in this book, including a shoutout to Julie Hecht.) Two months later, Jack finds out about The Great Game thanks to an article her evil parents have published in Psychology Today. He disappears forthwith. Though Lizzie begins dating and ultimately marries a boy named George Goldrosen, she never stops thinking about Jack and never loves George. George knows she is profoundly depressed and doesn’t really love him, though he doesn’t know about either Jack or The Great Game—in any case, he's so smitten he just doesn’t care. As he’s busy becoming a famous dentist, Lizzie spends her days in the library, looking through phone books trying to find Jack. This doesn’t seem very believable, but neither does the football team thing or the mad scientist parents or even the marriage.
There’s a fairy-tale quality to the narrative voice and extreme premises of this book that some will find endearing.Pub Date: Sept. 5, 2017
ISBN: 978-1-5011-6289-3
Page Count: 288
Publisher: N/A
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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