There’s a fairy-tale quality to the narrative voice and extreme premises of this book that some will find endearing.
He’s a celebrity dentist and a prince of a guy; she’s a damaged, brilliant young woman obsessed with someone she dated in college. Can their marriage be saved?
Lizzie Bultmann, the protagonist of celebrity librarian Pearl’s (Book Lust To Go, 2010, etc.) debut novel, is the daughter of a pair of famous behavioral psychologists at the University of Michigan who raised her not as a loved one but as an experimental subject. Partly because she wants them to “wake…up enough to finally see her” for the extremely unhappy person she is, and also because she somehow thinks it will be fun, she embarks on what she calls The Great Game, in which she has sex with all 23 starters of her high school football team, one per week. Originally, she and her best friend were going to each take half, but the other girl was just joking around. Lizzie grimly executes her plan, resulting in a permanent “post-game show” in her head in which voices berate her for “what a terrible person she’d been and always would be.” The next time Lizzie has sex it is with Jack, a boy she falls madly in love with at college; they bond over their mutual admiration for the poetry of A.E. Housman. (Lots of fun literary references in this book, including a shoutout to Julie Hecht.) Two months later, Jack finds out about The Great Game thanks to an article her evil parents have published in Psychology Today. He disappears forthwith. Though Lizzie begins dating and ultimately marries a boy named George Goldrosen, she never stops thinking about Jack and never loves George. George knows she is profoundly depressed and doesn’t really love him, though he doesn’t know about either Jack or The Great Game—in any case, he's so smitten he just doesn’t care. As he’s busy becoming a famous dentist, Lizzie spends her days in the library, looking through phone books trying to find Jack. This doesn’t seem very believable, but neither does the football team thing or the mad scientist parents or even the marriage.
There’s a fairy-tale quality to the narrative voice and extreme premises of this book that some will find endearing.Pub Date: Sept. 5, 2017
ISBN: 978-1-5011-6289-3
Page Count: 288
Publisher: N/A
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
With shades of Marguerite Duras and Patrick White, a quiet, literate and impeccably written love story.
Graceful debut novel by memoirist/literary scholar Aciman (False Papers, 2000, etc.), joining young love to his familiar themes of dislocation and wandering.
One could be arrested in certain parts of the world for the young love in question, which joins a 17-year-old bookish musician who is improbably well educated—not many college-educated adults have read Celan, heard of Athanasius Kircher or have a context for the Latin cor cordium—with a 24-year-old scholar with one foot in the world of the classical Greeks and another in whatever demimondes an Italian seaside village can offer. Oliver has cruelly good looks and looks cruelly at the world, a “cold, sagacious judge of character and situations.” Slathered in suntan oil, bronzing in the Mediterranean sun, he sends young Elio into a swoon at first sight. Oliver is well aware of the effect, for everyone, male and female, falls in love with him: Elio’s professor father, whose houseguest Oliver is, has appreciation for the younger man’s fearlessness in arguing over philosophy and etymology, the young village girls for his muvi star affectations, older women for his cowboy manners. Possibilities worthy of Highsmith loom, but though Oliver has his dangerous side (for one thing, he’s a cardsharp), Aciman never quite dispenses with innocence; Elio’s love has a certain chaste quality to it (“I was Glaucus and he was Diomedes”), which doesn’t lessen the hurt when the whole thing unravels, at which point intellectual gamesmanship fades away and the wisest man in the book is revealed to be Elio’s gently thoughtful father, who has unsuspected depths and offers consolation as best he can: “Right now there’s sorrow. I don’t envy you the pain. But I envy you the pain.” That pain yields a happy ending, of a sort.
With shades of Marguerite Duras and Patrick White, a quiet, literate and impeccably written love story.Pub Date: Feb. 1, 2007
ISBN: 0-374-29921-8
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
An evocative work about love, fate and redemption.
Up beyond Asheville, near where Gunter Mountain falls into Tennessee, evil has come to preach in a house of worship where venomous snakes and other poisons are sacraments.
Cash’s debut novel explores Faulkner/O’Connor country, a place where folks endure a hard life by clinging to God’s truths echoing from hardscrabble churches. With Southern idiom as clear as crystal mountain air, Cash weaves the narrative from multiple threads. Jess Hall is the 9-year-old son of Ben and Julie and beloved younger brother of gentle Stump, his mute, autistic sibling. Clem Barefield is county sheriff, a man with a moral code as tough, weathered and flexible as his gun belt. Adelaide Lyle, once a midwife, is now community matriarch of simple faith and solid conscience. Carson Chambliss is pastor of River Road Church of Christ. He has caught Stump spying, peering into the bedroom of his mother Julie, while she happened to be entertaining the amoral pastor. Julie may have lapsed into carnal sin, but she is also a holy fool. Chambliss convinces Julie to bring Stump to the church to be cured by the laying on of hands. There, Stump suffers a terrible fate. Cash’s characters are brilliant: Chambliss, scarred by burns, is as remorseless as one of his rattlesnakes; Addie, loyal to the old ways, is still strong enough to pry the church’s children away from snake-handling services; Barefield is gentle, empathetic and burdened by tragedy. Stump’s brother Jess is appealingly rendered—immature, confused and feeling responsible for and terrified by the evil he senses and sees around him. As lean and spare as a mountain ballad, Cash’s novel resonates perfectly, so much so that it could easily have been expanded to epic proportions.
An evocative work about love, fate and redemption.Pub Date: April 17, 2012
ISBN: 978-0-06-208814-7
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: April 2, 2012
Kirkus Reviews Issue: April 15, 2012
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