by Wiley Cash ‧ RELEASE DATE: Sept. 21, 2021
A gripping mystery with characters that will linger in readers’ minds long after they turn the last page.
In the 1980s, a small North Carolina town is thrown into turmoil when the sheriff discovers a dead body and a crashed plane.
When Sheriff Winston Barnes is awoken by a loud noise in the middle of the night, he gets out of bed to investigate at the local airport. But what he finds there surprises him—an empty plane and a dead body. Now Winston, in the middle of an election against an entitled younger man named Bradley Frye who wants power more than he wants to be sheriff, has to figure out what was on that plane and who shot the man. As Barnes investigates the case, he’s drawn deeper into the anger and resentment that bubble just below the surface in his small North Carolina beach town. The man who was shot, Rodney Bellamy, is Black, and now the White Bradley Frye and his friends are terrorizing Bellamy’s family—driving through their neighborhood with Confederate flags, breaking their windows, and threatening them. In addition to the racism in his town, Sheriff Barnes is also dealing with his daughter, Colleen, who’s back home and grieving after losing her child. Cash skillfully balances three points of view—those of Barnes, Colleen, and Jay, Rodney Bellamy’s 14-year-old brother-in-law, who bears the brunt of Bradley Frye’s racist attacks. Through the eyes of these very different characters, Cash creates an exquisitely detailed world that feels real and lived in. Sheriff Barnes is an easy character to root for as a man trying to do his best while living in a town that’s fighting against him. Although the plot alone is compelling enough to keep readers turning the pages, this is also a quietly moving look at how realistically flawed characters deal with the tragedies life throws at them.
A gripping mystery with characters that will linger in readers’ minds long after they turn the last page.Pub Date: Sept. 21, 2021
ISBN: 978-0-06-231266-2
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by David Baldacci ‧ RELEASE DATE: Nov. 12, 2024
Fast-moving excitement with a satisfying finish.
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New York Times Bestseller
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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