by Nancy Rubin Stuart ‧ RELEASE DATE: April 9, 2013
Read this book for the portrait of Benedict Arnold. The tales of the two Revolutionary-era women leave a great deal to be...
Stuart (The Muse of the Revolution: The Secret Pen of Mercy Otis Warren and the Founding of a Nation, 2008, etc.) draws on her long experience writing about women and social history to show that strong women have always driven their husbands to perform prominent actions, both good and bad.
Peggy Shippen and Lucy Flucker were socialites who married two Revolutionary War heroes and immediately became parts of their careers. Flucker’s love for Henry Knox saw her following him throughout the war to whatever part of the country he was assigned. He was always able to find her and their children comfortable housing, where she hosted legendary dinner parties. Flucker’s correspondence with Henry shows a loving couple who longed for each other when separated—though it’s not terribly enticing reading. Nor are the tales of their extravagances and scrambles for means. The real story in this book is that of Benedict Arnold, his bravery and heroism, his permanent lameness suffered in battle, and his imperious demands for honor and recognition. It is that sense of entitlement that drove Arnold, with no little egging on by Shippen, to turn his coat. He felt that, since he was passed over for advancement, he had little to lose by defection. Shippen’s close social ties to the British Maj. John André facilitated Arnold’s treachery. Stuart notes a number of incidents in which Arnold’s private use and sale of government equipment cast a distinct pall over his reputation. Too much of the book is then devoted to the Arnolds’ life in England, his attempts at making his fortune and her social successes.
Read this book for the portrait of Benedict Arnold. The tales of the two Revolutionary-era women leave a great deal to be desired.Pub Date: April 9, 2013
ISBN: 978-0-8070-0117-2
Page Count: 264
Publisher: Beacon Press
Review Posted Online: Dec. 8, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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