A tepid read, with cardboard characters and contrived situations.
Thayer picks up where she left off with The Hot Flash Club (2003), introducing a new batch of women who band together to solve one another’s in-law problems.
The meeting of like minds takes place at the Hot Spot Spa run by the postmenopausal ladies who formed the original club and who, sensing common needs, throw the new girls together in the hot tub. Intellectual graduate student Beth, 26, is finding it hard to adjust to fiancé Sonny’s blue-collar jock family, particularly because his hateful mother plots against her. Slightly older Julia, a special-events video-maker, has recently married Tim, a gentle widower whose daughter has not spoken since her mother’s death. Julia adores little Belinda; the problem is Belinda’s maternal grandmother, who resents the new wife for taking her dead daughter’s place. Slightly up the age ladder, 37-year-old Carolyn is pregnant and worried about her blood pressure, which is not helped by her executive position at her family’s multimillion-dollar paper mill. She and loving husband Hank, an environmentalist, share the family manse with Carolyn’s widowed father. They live companionably in separate wings until Dad comes home with a new young wife, whom Carolyn quickly senses is not as innocent as she seems. Oldest is Polly, a widow whose hippie daughter-in-law won’t let her visit her new grandson because she might bring germs from her former mother-in-law, a lonely snob entering the last stages of cancer who demands Polly’s slavish care. After brief catch-up appearances by the founding Hot Flash gals, the new characters commiserate and plot against their bad relations. With Julia’s help, Beth catches her mother-in-law-to-be’s villainy on tape and blackmails her into submission. Julia’s stepdaughter finally speaks, bringing her family together. Helping Carolyn expose her stepmother as a con artist, Polly and her mother-in-law bond. And eventually Polly gets to see her grandson.
A tepid read, with cardboard characters and contrived situations.Pub Date: Dec. 14, 2004
ISBN: 0-345-46917-8
Page Count: 336
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2004
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
