Inventors and pie lovers will find this one delicious.
Little Tom Drum’s love of strawberry pie leads to a lot more than he bargained for.
Willard spins a modern fairy tale about a boy, his gluttony for strawberry pie and one careless wish. When 8-year-old Little Tom Drum wishes for three mouths so he can eat more pie, he wakes up to find two extra mouths, one in his left cheek and one in his right, which makes him look like a monster to his parents. They feel they cannot send their boy to school and hire a tutor to work with their son. In between reading books on “mathematics and giraffes and gardening,” Little Tom Drum learns about the world and creates amazing inventions with items found around his house in a workshop built by his father. On his ninth birthday, a box with a wishing machine arrives on his doorstep, and Little Tom Drum carefully puts it together and, much more carefully this time, makes his wish. While waiting for his wish to come true, he discovers his real gift: solving others’ problems with his inventive mind. Hawkes’ detailed pen-and-ink–and-pastel illustrations extend Willard’s deadpan humor with just enough creepiness. (Three mouths turn out to be remarkably unnerving.) The old-time clothing adds to the fairy-tale feel. Fans of Hawkes’ illustrations for Paul Fleischman’s Weslandia (1999) will find welcome connections here.
Inventors and pie lovers will find this one delicious. (Picture book. 4-9)Pub Date: Feb. 10, 2015
ISBN: 978-0-7636-5476-4
Page Count: 48
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
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