When each of the five Romero kids come down with the same fever that killed their mother and many people in the community, their father, a doctor, fears for their lives. Each sick child has a vision of a cat who speaks a catchy rhyming refrain and bears a tray with a tortilla. The children become well, and claim it was the Tortilla Cat who cured them. Dr. Romero believes the cat is more fever dream than real, but when he becomes ill, the cat appears to him, leaving five kittens—one for each child—as a remembrance. The connection or significance of the kittens is never really clear, which turns an enjoyable read into a rather abstract adventure, but the Latin American flavor of Winter’s surreal illustrations restores much of the magic. (Fiction. 6-10)
Pub Date: March 1, 1998
ISBN: 0-15-289587-6
Page Count: 48
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1998
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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