Red Knit Cap Girl wants to talk to the moon, even throwing a party for her, but only when the lights go out and quiet falls does it appear.
The big-booted, mushroom-headed girl’s bulbous silhouette, mute, mouth-less face and dotted eyes feel familiar, even though her proportions look downright strange. A crimson hat and smart jacket pop against shadowed woodlands, friendly and bright. Animal buddies (Rabbit, Bear, Squirrel and Hedgehog) help with her moon-chat mission, their kind beady eyes shining and stubby bodies playful. When Red Knit Cap Girl approaches a mystic night owl who might know how to draw the moon into a conversation, readers will bristle with interest. The owl, his eyes like embers, says enigmatically, “You will find a way.” A plywood canvas creates a fantastically pliant, otherworldly atmosphere that undulates with shifting perspectives, horizons, dimensions—even surfaces. Once painted, the wood’s grain assumes the look of clouds, sand, water, grass, mist, creating a bewitching forest that feels at times magical and others spooky. Nocturnal hues (dusky yellows and reds, darkening greens and ultimately a blackening blue) transport readers to nightfall and the moon’s imminent arrival. Young readers might pleasantly puzzle over the moon’s need for dark and silence, for peace, in order to show herself and whisper with Red Knit Cap Girl.
A gentle Zen-like parable, with visual and narrative intrigue. (Picture book. 3-6)
Pub Date: June 15, 2012
ISBN: 978-0-316-12946-6
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 13, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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