The ending is touching enough that the story is almost as vivid as the people in the pictures.
Ben-Ami’s illustrations in this Israeli import by way of the U.K. are so expressive that readers can understand the plot just by looking at the characters’ faces.
There are only three things to know. First: A brother and a sister get into a horrible fight just before the Passover Seder. Second, and maybe the most important: They both love music. She’s always singing, and he’s always strumming an apple-green guitar. And third: By the end of the meal, they’re both singing together again. Readers can learn most of this from the characters’ mouths and foreheads: the boy’s dismissive laugh when his younger sister tries to sing and, in the same picture, her one angry, cocked eyebrow. The only major detail readers need to learn from the text is the actual subject of the argument. At a traditional Seder, the youngest child sings the four questions, a chant that explains the meaning of the holiday, but in this family, the older child, brother Eitan, doesn’t want to give up the job. The problem is solved in a way that’s both entirely predictable and satisfyingly surprising. Evie struggles with the words, and Eitan joins in to help her out. Throughout the meal, just about everyone is smiling. (The characters are all white and mostly related.) But in these illustrations, each person’s smile is distinctly, beautifully unique.
The ending is touching enough that the story is almost as vivid as the people in the pictures. (Picture book. 4-8)Pub Date: March 19, 2020
ISBN: 978-1-78438-463-0
Page Count: 32
Publisher: Green Bean Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2020
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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