by Naomi Ben-Gur ; illustrated by Carmel Ben Ami ; translated by Gilah Kahn-Hoffmann ‧ RELEASE DATE: March 19, 2020
The ending is touching enough that the story is almost as vivid as the people in the pictures.
Ben-Ami’s illustrations in this Israeli import by way of the U.K. are so expressive that readers can understand the plot just by looking at the characters’ faces.
There are only three things to know. First: A brother and a sister get into a horrible fight just before the Passover Seder. Second, and maybe the most important: They both love music. She’s always singing, and he’s always strumming an apple-green guitar. And third: By the end of the meal, they’re both singing together again. Readers can learn most of this from the characters’ mouths and foreheads: the boy’s dismissive laugh when his younger sister tries to sing and, in the same picture, her one angry, cocked eyebrow. The only major detail readers need to learn from the text is the actual subject of the argument. At a traditional Seder, the youngest child sings the four questions, a chant that explains the meaning of the holiday, but in this family, the older child, brother Eitan, doesn’t want to give up the job. The problem is solved in a way that’s both entirely predictable and satisfyingly surprising. Evie struggles with the words, and Eitan joins in to help her out. Throughout the meal, just about everyone is smiling. (The characters are all white and mostly related.) But in these illustrations, each person’s smile is distinctly, beautifully unique.
The ending is touching enough that the story is almost as vivid as the people in the pictures. (Picture book. 4-8)Pub Date: March 19, 2020
ISBN: 978-1-78438-463-0
Page Count: 32
Publisher: Green Bean Books
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton & Leo Trinidad
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
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by Adam Wallace ; illustrated by Christopher Nielsen
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by Adam Wallace ; illustrated by Andy Elkerton
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by Adam Wallace ; illustrated by Andy Elkerton
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