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THE COVENANT

No perfect ending, but enough redemption and hope make this a quiet celebration of survival.

Bonds forged in Auschwitz help a young mother caught in the Intifada to survive—in a scrupulously fair-minded and riveting tale of current Israel.

A deft mix of past and present, the story’s as much political thriller as conventional tale about the ties of family and friendship. The representative cast of characters here includes journalists, Saudi Arabians, Palestinians, and Jewish settlers, as well as members of Hamas. Herself a long-time resident of Israel, Ragen (Chains Around the Grass, 2002, etc.) is putting the case for that country, but she does it with considerable sensitivity. Things begin in 2002 with American-born Elise, confined to bed because of a difficult second pregnancy, relying on her oncologist husband Jonathan to take their daughter, five-year-old Ilana, to day-care. The Margulieses live in one of the controversial settlements, and Jonathan must pass through dangerous Palestinian-held areas on his way to the hospital, where he takes care of both Palestinians and Jews. Later that day, homeward-bound with Ilana, his car is ambushed and the two disappear. Elise, in shock at the news, is rushed to hospital. When Leah, Elise’s grandmother and a Holocaust survivor, learns in New York what’s happened, she flies to Israel, but not before contacting the three other women who swore an oath—a covenant—to help one another survive Auschwitz. The three—Esther, a cosmetics mogul, who lives in California; Ariana, who owns a famous nightclub in Paris; and Maria, a Polish Catholic—immediately rally round: Esther contacts her granddaughter, who’s married to a Saudi with contacts in high places; Ariana uses her club sources to compromise a Hamas leader; and Maria sends her grandson Milos to Israel, where he befriends Julia, a Palestinian sympathizer and TV journalist, who unknowingly has contacts involved in dangerous pursuits.

No perfect ending, but enough redemption and hope make this a quiet celebration of survival.

Pub Date: Nov. 1, 2004

ISBN: 0-312-29119-1

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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