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THE COVENANT

No perfect ending, but enough redemption and hope make this a quiet celebration of survival.

Bonds forged in Auschwitz help a young mother caught in the Intifada to survive—in a scrupulously fair-minded and riveting tale of current Israel.

A deft mix of past and present, the story’s as much political thriller as conventional tale about the ties of family and friendship. The representative cast of characters here includes journalists, Saudi Arabians, Palestinians, and Jewish settlers, as well as members of Hamas. Herself a long-time resident of Israel, Ragen (Chains Around the Grass, 2002, etc.) is putting the case for that country, but she does it with considerable sensitivity. Things begin in 2002 with American-born Elise, confined to bed because of a difficult second pregnancy, relying on her oncologist husband Jonathan to take their daughter, five-year-old Ilana, to day-care. The Margulieses live in one of the controversial settlements, and Jonathan must pass through dangerous Palestinian-held areas on his way to the hospital, where he takes care of both Palestinians and Jews. Later that day, homeward-bound with Ilana, his car is ambushed and the two disappear. Elise, in shock at the news, is rushed to hospital. When Leah, Elise’s grandmother and a Holocaust survivor, learns in New York what’s happened, she flies to Israel, but not before contacting the three other women who swore an oath—a covenant—to help one another survive Auschwitz. The three—Esther, a cosmetics mogul, who lives in California; Ariana, who owns a famous nightclub in Paris; and Maria, a Polish Catholic—immediately rally round: Esther contacts her granddaughter, who’s married to a Saudi with contacts in high places; Ariana uses her club sources to compromise a Hamas leader; and Maria sends her grandson Milos to Israel, where he befriends Julia, a Palestinian sympathizer and TV journalist, who unknowingly has contacts involved in dangerous pursuits.

No perfect ending, but enough redemption and hope make this a quiet celebration of survival.

Pub Date: Nov. 1, 2004

ISBN: 0-312-29119-1

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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