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THE COVENANT

No perfect ending, but enough redemption and hope make this a quiet celebration of survival.

Bonds forged in Auschwitz help a young mother caught in the Intifada to survive—in a scrupulously fair-minded and riveting tale of current Israel.

A deft mix of past and present, the story’s as much political thriller as conventional tale about the ties of family and friendship. The representative cast of characters here includes journalists, Saudi Arabians, Palestinians, and Jewish settlers, as well as members of Hamas. Herself a long-time resident of Israel, Ragen (Chains Around the Grass, 2002, etc.) is putting the case for that country, but she does it with considerable sensitivity. Things begin in 2002 with American-born Elise, confined to bed because of a difficult second pregnancy, relying on her oncologist husband Jonathan to take their daughter, five-year-old Ilana, to day-care. The Margulieses live in one of the controversial settlements, and Jonathan must pass through dangerous Palestinian-held areas on his way to the hospital, where he takes care of both Palestinians and Jews. Later that day, homeward-bound with Ilana, his car is ambushed and the two disappear. Elise, in shock at the news, is rushed to hospital. When Leah, Elise’s grandmother and a Holocaust survivor, learns in New York what’s happened, she flies to Israel, but not before contacting the three other women who swore an oath—a covenant—to help one another survive Auschwitz. The three—Esther, a cosmetics mogul, who lives in California; Ariana, who owns a famous nightclub in Paris; and Maria, a Polish Catholic—immediately rally round: Esther contacts her granddaughter, who’s married to a Saudi with contacts in high places; Ariana uses her club sources to compromise a Hamas leader; and Maria sends her grandson Milos to Israel, where he befriends Julia, a Palestinian sympathizer and TV journalist, who unknowingly has contacts involved in dangerous pursuits.

No perfect ending, but enough redemption and hope make this a quiet celebration of survival.

Pub Date: Nov. 1, 2004

ISBN: 0-312-29119-1

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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