Although the pace can be as slow as a humid bayou afternoon, the conflicts eventually ignite, leading to a cathartic close.



A debut novel about an African-American woman who struggles to salvage the Louisiana sugar cane farm she inherited from her father.

Recently widowed, Charlotte “Charley” Bordelon feels compelled to take advantage of an odd inheritance from her father, Ernest. Unbeknownst to his family, Ernest had sold off his valuable California real estate holdings to purchase a failing sugar cane spread in his Louisiana birthplace. Now, Charley has no choice but to farm the land: Her father’s trust prevents a sale. Going into meticulous and occasionally numbing detail, Baszile describes how Charley manages to find seasoned advisers to educate her on the mysteries of growing cane and how, with very little equipment, scant capital and much sweat over one steamy summer, the farm is gradually reclaimed from utter desuetude. But obstacles mount: Two local white corporate sugar moguls sling racial slurs and veiled threats. (As an African-American and a woman, Charley is a minority of one among the county’s sugar cultivators.) A hurricane sets back months of arduous weeding and planting. A white colleague is proving dangerously attractive, until he makes a racially insensitive remark. But Charley’s main hurdles are closer to home. Her grandmother, Miss Honey, with whom she and daughter Micah are living, can be irascible and stubborn; her favorite aunt, antagonized by Miss Honey, stays away, but Charley’s chief nemesis is her older half brother Ralph Angel, also widowed. Resentful about being cut out of Ernest’s will (presumably since he squandered his father’s money on a drug habit), he has shown up, with his son Blue in tow, to pressure Charley to share her marginally profitable legacy. More detail on past traumas, for example, the profound depression that led Charley to neglect her daughter and the drug addiction that resulted in the death of Ralph Angel’s wife, would have deepened readers’ understanding of these characters’ present behavior. 

Although the pace can be as slow as a humid bayou afternoon, the conflicts eventually ignite, leading to a cathartic close.

Pub Date: Feb. 6, 2014

ISBN: 978-0-670-02613-5

Page Count: 384

Publisher: Pamela Dorman/Viking

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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