by Natalie Baszile ‧ RELEASE DATE: Feb. 6, 2014
Although the pace can be as slow as a humid bayou afternoon, the conflicts eventually ignite, leading to a cathartic close.
A debut novel about an African-American woman who struggles to salvage the Louisiana sugar cane farm she inherited from her father.
Recently widowed, Charlotte “Charley” Bordelon feels compelled to take advantage of an odd inheritance from her father, Ernest. Unbeknownst to his family, Ernest had sold off his valuable California real estate holdings to purchase a failing sugar cane spread in his Louisiana birthplace. Now, Charley has no choice but to farm the land: Her father’s trust prevents a sale. Going into meticulous and occasionally numbing detail, Baszile describes how Charley manages to find seasoned advisers to educate her on the mysteries of growing cane and how, with very little equipment, scant capital and much sweat over one steamy summer, the farm is gradually reclaimed from utter desuetude. But obstacles mount: Two local white corporate sugar moguls sling racial slurs and veiled threats. (As an African-American and a woman, Charley is a minority of one among the county’s sugar cultivators.) A hurricane sets back months of arduous weeding and planting. A white colleague is proving dangerously attractive, until he makes a racially insensitive remark. But Charley’s main hurdles are closer to home. Her grandmother, Miss Honey, with whom she and daughter Micah are living, can be irascible and stubborn; her favorite aunt, antagonized by Miss Honey, stays away, but Charley’s chief nemesis is her older half brother Ralph Angel, also widowed. Resentful about being cut out of Ernest’s will (presumably since he squandered his father’s money on a drug habit), he has shown up, with his son Blue in tow, to pressure Charley to share her marginally profitable legacy. More detail on past traumas, for example, the profound depression that led Charley to neglect her daughter and the drug addiction that resulted in the death of Ralph Angel’s wife, would have deepened readers’ understanding of these characters’ present behavior.
Although the pace can be as slow as a humid bayou afternoon, the conflicts eventually ignite, leading to a cathartic close.Pub Date: Feb. 6, 2014
ISBN: 978-0-670-02613-5
Page Count: 384
Publisher: Pamela Dorman/Viking
Review Posted Online: Dec. 6, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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