by Natalie Livingstone ‧ RELEASE DATE: Oct. 25, 2022
An engaging, authoritative, and refreshingly intimate history.
A multigenerational portrait of a powerful family.
From its origins in a Jewish ghetto in Frankfurt, the family of Meyer Anshel Rothschild (1744-1812) and his wife, Guttle Schnapper (1753-1849), spawned an extraordinary financial dynasty that spread throughout the world. Since Meyer’s will specifically excluded his “daughters and sons-in-law and their heirs” from any share in his businesses, histories of the influential family have focused almost exclusively on men—an omission that historian Livingstone rectifies in a richly textured narrative. Drawing on archives, memoirs, and published sources, the author focuses on the British branch of the family, examining eight generations of Rothschild women whose influence reached into politics, literature, social reform, Zionism, science, and the arts. Although they did not participate directly in the family’s financial strategies, a few served as confidantes and advisers to their husbands; others exercised deft political machinations in gatherings at their sumptuous country houses and London salons. The family’s immense wealth made them welcome in British aristocracy—or, at least, tolerated by some of its more virulently antisemitic members. The wives knew that “as German Jews in a Christian society and women within a fiercely patriarchal family,” they needed to act judiciously. Despite servants and luxury, for most of them, being a Rothschild wife “was stressful and thankless work.” One husband referred to his wife as “an essential piece of furniture.” Livingstone recounts sustaining friendships among some of the women, rivalries that erupted among others, and illnesses, deaths, betrayals, and sorrow that befell many. They were scrutinized within the family (when they married outside of the faith, for example) and subjected to gossip. If being a Rothschild gave them privileges, the author clearly reveals their vulnerability to tumultuous events—from the French Revolution through 20th-century wars—and the shattering social and cultural changes that affected each Rothschild wife, daughter, niece, and granddaughter.
An engaging, authoritative, and refreshingly intimate history.Pub Date: Oct. 25, 2022
ISBN: 978-1-250-28019-0
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 15, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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