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CALIFORNIA CALLING

A SELF-INTERROGATION

A mostly compelling book about a complicated question: if identity is made of memory and memory does not cohere, how do we...

Singer’s first book is a memoir of two obsessions: with California and with finding a place for herself.

The story begins with the dissolution of the author’s family and her move, at 16, with younger siblings, mother, and stepfather, from Montreal to California, a place with which she has been absorbed for years. “My affair with California begins many years before we meet,” writes the author, recalling an early library encounter with a book about the Golden State. “A state?” she wondered. “Like New York, where we drive once a year across the border to do our school shopping, hiding new clothes and shoes deep in our Jeep’s trunk on the way back, away from the customs officials so we don’t have to pay extra taxes?” Singer’s glee at being in California was complicated by a custody battle involving one of her brothers. “Are you sexually active?” That was the question the opposing counsel asked her just before she took the stand on her mother’s behalf. It was a treacherous moment, but while Singer draws her structure from it—the book is built, more or less, as a series of interrogations and responses—she is interested in treachery of a more personal sort. The author is at her best when she uses narrative to examine disconnection, as with the Taylors, a family for whom she worked yet never quite belonged. “Two of my own families,” she writes, “have already exploded. Nuclear family has not proved successful, but still I am drawn to it.” This search for place took Singer north, where she researched a serial killer in Yosemite, though she was really looking for herself. As the book progresses, it becomes less fragmentary. On one hand, that’s inevitable given the difficulty of stitching together a book of fragments. On the other, it’s disappointing given the strength of her fractured approach.

A mostly compelling book about a complicated question: if identity is made of memory and memory does not cohere, how do we build a self from the shards?

Pub Date: March 1, 2018

ISBN: 978-0-9988257-1-7

Page Count: 320

Publisher: Hawthorne Books

Review Posted Online: Jan. 7, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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