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KEYANA LOVES HER FRIEND

A loving example of how to navigate friendship challenges.

A much-anticipated reunion between two pals gets off to a rocky start.

The protagonist, whom readers may remember from Keyana Loves Her Family (2022), is excited: Her best friend, Nia, who moved away last year, is back in town. Keyana has big plans for Nia’s visit. She’s hoping for the “biggest, most spectacular sleepover ever,” which will include activities that the two have enjoyed together in the past, such as bike riding. Nia has her own plans, however: She’s bringing a scooter instead of a bicycle and has arrived with a new hairstyle and different interests. Unsurprisingly, the girls’ diverging opinions about how they should be spending their time together lead to frustration, confrontation, and a tearful confession about friendship fears. Fortunately, Keyana’s parents are there to help the duo work together to create new traditions and embrace the next stage of their friendship. Tarpley has a strong ear for dialogue—the children’s banter rings true and also captures the intense emotions that often characterize young friendships. Created digitally and finished with a handmade watercolor texture overlay, the inviting illustrations convey the excitement of the text. Pinkney Barlow’s attention to detail, such as the Black dolls that the girls play with, continues to make this series an authentic and positive representation of Black families and communities, as well as the joyous childhood traditions that exist within them.

A loving example of how to navigate friendship challenges. (Picture book. 4-9)

Pub Date: Dec. 12, 2023

ISBN: 9780316056885

Page Count: 32

Publisher: Little, Brown

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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