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SLOW GETTING UP

A STORY OF NFL SURVIVAL FROM THE BOTTOM OF THE PILE

Jackson was never a household name, but his memoir is better than any ghostwritten self-homage from a superstar.

An insightful memoir of an unlikely NFL career.

Jackson is likely a much better athlete than nearly all of his readers, but in the National Football League, he was just average—and he knows as much. Every season, he fought simply to make the team, which he did. The author successfully navigated the nearly unimaginable leap from a tiny Division III college to a six-year career as a wide receiver and tight end with the San Francisco 49ers and Denver Broncos, with ill-fated training-camp experiences before and after his tenure in the Rockies and a season playing for NFL Europe in Germany. Jackson has an original voice, honed as a writer for a number of newspapers, magazines and websites, perhaps most frequently with Deadspin. The author is wry and smart and has a love-hate relationship with the sport that gave him so much but also took a great deal from him. Jackson’s career was peppered with injuries: muscles torn from the bone, dislocations and sprains and the concomitant shots, pills and therapy sessions that would allow him to go back to the field. Jackson’s greatest strength is his self-awareness. Every time one of his stories seems to be veering toward stereotypical athlete bluster, he takes an ironic swerve, usually making himself the butt of his own acerbic wit. That wit also manifests itself in a cynical approach to a host of issues ranging from tired sports-as-war metaphors to stadium naming rights. Ultimately, the injuries and the toll of the incredibly violent game got the best of him. Readers are the beneficiaries.

Jackson was never a household name, but his memoir is better than any ghostwritten self-homage from a superstar.

Pub Date: Sept. 17, 2013

ISBN: 978-0-06-210802-9

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: June 22, 2013

Kirkus Reviews Issue: July 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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