Another disheartening but important book from Rich.

SECOND NATURE

SCENES FROM A WORLD REMADE

The author of Losing Earth returns with further assessments of climate change and environmental destruction.

In this outstanding collection of pieces, some of which were published in different forms in the New York Times Magazine, the New Republic, Men’s Journal, and other outlets, Rich provides vivid, often disturbing portraits of individuals and events contributing to “the death rattle of the romantic idea that nature is innocent of human influence.” The author hits the ground running with a gripping account of the stubborn lawyer who, since 1999, has been suing DuPont for massive dumping of toxic perfluorooctanoic acid (a component of Teflon) into landfills, streams, and water supplies. His article led to the highly praised film Dark Waters (2019), but the victory was modest. DuPont settled with the Environmental Protection Agency for a paltry $16.5 million (“less than two percent of the profits earned by DuPont on PFOA that year”) and slowly phased out PFOA but admitted no liability and maintains that its closely related substitute is safe. Sadly, in this and other stories, readers learn that the EPA is largely toothless. The author chronicles the 2015-2016 Aliso Canyon methane leak, the largest in American history, which drenched a wealthy Los Angeles community with methane and other far more toxic gases. The company paid a fine and is still fending off lawsuits, but unsurprisingly, politicians and regulatory officials looked after their own interests. In other essays, Rich explores Louisiana and the Mississippi River, ecologically fragile even before Hurricane Katrina, which triggered an immensely expensive reconstruction that is not improving matters. The author doubts that genetic manipulation will save the environment, but he does offer entertaining stories about the efforts to restore the extinct passenger pigeon, create a rabbit that glows in the dark, or get people to “buy burgers composed of cultured animal cells, if they tasted good enough.”

Another disheartening but important book from Rich.

Pub Date: April 6, 2021

ISBN: 978-0-374-10603-4

Page Count: 304

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Jan. 19, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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A conversational, pleasurable look into McConaughey’s life and thought.

GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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