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THE LONELY WAR

ONE WOMAN’S ACCOUNT OF THE STRUGGLE FOR MODERN IRAN

Readers keeping an eye on the contemporary Middle East will learn much from Fathi’s travels and observations.

Cautious but subtly optimistic account of Iran’s unfinished revolution by New York Times correspondent Fathi.

The author was still a child when, in 1979, an insurrection led by an uneasy alliance of leftists and Muslim fundamentalists forced the shah of Iran from his throne. As she notes, more than two-thirds of her compatriots were not even born when these transformative events occurred, and though the ayatollahs imposed an austere rule over the country, Iran’s young men and women have been “exposed to new ideas and opinions through technologies such as satellite television and the Internet.” In other words, Iran is not monolithic in its religious conservatism, nor in any other way; neither is it backward, though the suspicion that it is haunts Iranians: Backwardness, writes the author, “had embarrassing connotations of ignorance, poverty, and underdevelopment.” Crunching the numbers, it wouldn’t seem that the Iranians have much to worry about, for Fathi reckons that two-thirds of the country is also solidly middle-class, which would rival the statistics for the United States. The concept of backwardness, though, is a strong one, dating back many generations, and it has explanatory power for why Iran should so often make the news trying to assert itself in regional and even world events. Fathi’s combination of reportage and memoir is often effective, as when she writes of religion through the lens of an experience with a teacher who assured her that her prayers were “nullified” because her hood wasn’t arranged just so: “Her Islam was more about outward signs…to a point that was annoying.” Though, as the author notes, Iran has more than its share of dour by-the-book religionists, it is also refreshingly diverse and heterodox—if also in need of much change.

Readers keeping an eye on the contemporary Middle East will learn much from Fathi’s travels and observations.

Pub Date: Dec. 9, 2014

ISBN: 978-0465069996

Page Count: 336

Publisher: Basic Books

Review Posted Online: Oct. 7, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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