A smart, tense tale that keeps its classic cop drama relevant to current events.
A Philadelphia police detective looks into a shooting that may have ties to the Islamic State group in this thriller.
A good cop gets shot in a bad part of town, and it’s an all-too-common tragedy. But when the attack happens right before an event of international significance, it’s another thing entirely. Pope Francis’ first visit to the United States is underway, culminating with the World Meeting of Families, a massive set of celebrations that will bring hundreds of thousands of worshipers and travelers to Philadelphia. Only a couple of weeks beforehand, Officer Jake Loman is shot along the procession route by a man claiming to be acting on behalf of IS. While Loman survives, a chain of incidents unfolds that no one could have predicted. Detective Frank Benson, a sometime-black sheep of the Philadelphia Police Department, is unexpectedly assigned to investigate the case even though it seems open and shut at first glance. Meanwhile, he ends up paired to work on the probe with Ophelia “O” Brown-Thurman, an old friend and Loman’s platoon sergeant. In addition, Veronica Cartwright, another personal connection of Benson’s and a Secret Service agent on assignment for the pope’s visit, ends up looking into the possible terrorist link. A tangled web of old wounds and feelings emerges—everyone involved has a rocky past, but they all nonetheless have to unite to figure out the truth behind a crime that ties violent extremists, corrupt cops, and plenty of twists together. Goldstein (Murder and Mayhem in Manayunk, 2016, etc.) spins a taut page-turner with an eye toward the way international threats mix with problems closer to home. The novel’s prose is solid, and its pacing is fast, making it easy to identify the most important details of each scene while still maintaining a complex plot. The characters also work well together, particularly Benson, who’s a classic hard-boiled hero. His previous struggles with addiction and shame are deftly handled, a touch that helps prevent the sense of his character's getting lost in the procedural elements of the story.
A smart, tense tale that keeps its classic cop drama relevant to current events.Pub Date: N/A
ISBN: N/A
Page Count: 211
Publisher: CreateSpace
Review Posted Online: Feb. 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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