A smart, tense tale that keeps its classic cop drama relevant to current events.

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60TH & HAVERFORD

A Philadelphia police detective looks into a shooting that may have ties to the Islamic State group in this thriller.

A good cop gets shot in a bad part of town, and it’s an all-too-common tragedy. But when the attack happens right before an event of international significance, it’s another thing entirely. Pope Francis’ first visit to the United States is underway, culminating with the World Meeting of Families, a massive set of celebrations that will bring hundreds of thousands of worshipers and travelers to Philadelphia. Only a couple of weeks beforehand, Officer Jake Loman is shot along the procession route by a man claiming to be acting on behalf of IS. While Loman survives, a chain of incidents unfolds that no one could have predicted. Detective Frank Benson, a sometime-black sheep of the Philadelphia Police Department, is unexpectedly assigned to investigate the case even though it seems open and shut at first glance. Meanwhile, he ends up paired to work on the probe with Ophelia “O” Brown-Thurman, an old friend and Loman’s platoon sergeant. In addition, Veronica Cartwright, another personal connection of Benson’s and a Secret Service agent on assignment for the pope’s visit, ends up looking into the possible terrorist link. A tangled web of old wounds and feelings emerges—everyone involved has a rocky past, but they all nonetheless have to unite to figure out the truth behind a crime that ties violent extremists, corrupt cops, and plenty of twists together. Goldstein (Murder and Mayhem in Manayunk, 2016, etc.) spins a taut page-turner with an eye toward the way international threats mix with problems closer to home. The novel’s prose is solid, and its pacing is fast, making it easy to identify the most important details of each scene while still maintaining a complex plot. The characters also work well together, particularly Benson, who’s a classic hard-boiled hero. His previous struggles with addiction and shame are deftly handled, a touch that helps prevent the sense of his character's getting lost in the procedural elements of the story.

A smart, tense tale that keeps its classic cop drama relevant to current events.

Pub Date: N/A

ISBN: N/A

Page Count: 211

Publisher: CreateSpace

Review Posted Online: Feb. 15, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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