Both sincere and subversive, Pollack will likely inspire more than one reader to commit to yoga.

STRETCH

THE UNLIKELY MAKING OF A YOGA DUDE

Freelance journalist Pollack (Alternadad, 2007, etc.) seeks to reclaim his better self within the ridicule-friendly world of yoga.

Once upon a time, the author was a hot writer, a charmingly comedic iconoclast ever ready to poke a sharp stick in the eye of convention. The world at his doorstep, he did the “full retard,” making a narcissistic ass of himself, fueled by a steady intake of recreational intoxicants. His descent was meteoric. In a review of his novel Never Mind the Pollacks (2003), the New York Times Book Review wrote that Pollack had gone from incandescent satirist to an “ordinary humor dork, yet another doughy, 35-ish white man with a goatee and thinning hair.” When his agent stopped calling, the author decided to regroup and, at the suggestion of his wife, try yoga. However, yoga—or at least its wayward applications: “high-priced self-empowerment for the over-privileged creative class”—is just the kind of activity that Pollack used to demolish with satire. But something clicked. He hasn’t abandoned snark and cynicism—they are the lifeblood of this quest, along with a healthy dose of self-abasement—but at his unassuming local yoga place, he found that the practice “calmed his inner pervert.” His circumstantial rage was chilled as he sweat through the routines, but he’s still a yoga bad boy, a bong-hitting carnivore with a taste for laughter, which makes him a highly entertaining guide as he investigates the good, bad and ugly of the yoga spectrum, from yogathons to yoga competitions to freestyle yoga rap. There is also a lovely authenticity to his discovery of his yoga fundamentalism—“the words of ancients and a few sacred physical principles that humans have been practicing since the dawn of time.”

Both sincere and subversive, Pollack will likely inspire more than one reader to commit to yoga.

Pub Date: Aug. 10, 2010

ISBN: 978-0-06-172769-6

Page Count: 336

Publisher: Perennial/HarperCollins

Review Posted Online: May 27, 2010

Kirkus Reviews Issue: June 15, 2010

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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