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KNOWING WHEN TO STOP

A MEMOIR

Wordy half-a-life story by tireless composer and tiresome raconteur and diarist Rorem (The Nantucket Diary, 1987, etc.). Rorem is one of the great 20th-century composers of art songs: brief, pithy, and often witty compositions that have become a fixture in the vocal repertoire. Sadly, his writing is as verbose and overwrought as his music is to the point. In this bulky tome, he is only able to recount the first three decades of his life, up to 1952. Raised in Chicago, he devotes the first third of the book to his young life, mostly focusing on his precocious gay cruising in the city's parks. The narrative then turns to music school at Curtis and Juilliard; his early days in New York City; and his artistic roamings in postWW II Paris and Morocco, where he encountered such luminaries as Leonard Bernstein, Virgil Thomas, Jean Cocteau, Tennessee Williams, and Paul Bowles. Rorem is such an egotist that his portraits, even when sympathetic, are often reduced to sometimes pithy, sometimes annoying aphorisms (Bernstein ``forever combined generosity with competitiveness''; John Cage is ``a fake...but a fake what?''). When he's not expounding barstool philosophy (``the artistic tendency is not there from the start...what is there...is the gene of quality'') or overblown, ponderous prose (``I examined the world in a grain of sand, the civilizations in the furrows of that porous brick an inch from the eye, and wept at the limitless melancholy latent in this new perspective''), he's offering a catalogue raisonnÇ, as it were, of his sex life—and incidentally of his musical works. His attempts to explain away his often blatant anti-Semitism and his use of coy asides (``I never told Dora, and hope you won't tell her now'') are just two of this memoir's more irritating features. A Ror-ation full of sound and fury, signifying nothing. Stop already. (b&w photos, not seen)

Pub Date: Sept. 1, 1994

ISBN: 0-671-72872-5

Page Count: 512

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

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THE LAWS OF HUMAN NATURE

The Stoics did much better with the much shorter Enchiridion.

A follow-on to the author’s garbled but popular 48 Laws of Power, promising that readers will learn how to win friends and influence people, to say nothing of outfoxing all those “toxic types” out in the world.

Greene (Mastery, 2012, etc.) begins with a big sell, averring that his book “is designed to immerse you in all aspects of human behavior and illuminate its root causes.” To gauge by this fat compendium, human behavior is mostly rotten, a presumption that fits with the author’s neo-Machiavellian program of self-validation and eventual strategic supremacy. The author works to formula: First, state a “law,” such as “confront your dark side” or “know your limits,” the latter of which seems pale compared to the Delphic oracle’s “nothing in excess.” Next, elaborate on that law with what might seem to be as plain as day: “Losing contact with reality, we make irrational decisions. That is why our success often does not last.” One imagines there might be other reasons for the evanescence of glory, but there you go. Finally, spin out a long tutelary yarn, seemingly the longer the better, to shore up the truism—in this case, the cometary rise and fall of one-time Disney CEO Michael Eisner, with the warning, “his fate could easily be yours, albeit most likely on a smaller scale,” which ranks right up there with the fortuneteller’s “I sense that someone you know has died" in orders of probability. It’s enough to inspire a new law: Beware of those who spend too much time telling you what you already know, even when it’s dressed up in fresh-sounding terms. “Continually mix the visceral with the analytic” is the language of a consultant’s report, more important-sounding than “go with your gut but use your head, too.”

The Stoics did much better with the much shorter Enchiridion.

Pub Date: Oct. 23, 2018

ISBN: 978-0-525-42814-5

Page Count: 580

Publisher: Viking

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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MASTERY

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...

Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.

The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.

Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.

Pub Date: Nov. 13, 2012

ISBN: 978-0-670-02496-4

Page Count: 320

Publisher: Viking

Review Posted Online: Sept. 12, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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