by Neel Mukherjee ‧ RELEASE DATE: April 2, 2024
A determinedly provocative work of fiction—passionate, graphic, and uncomfortable.
Intractable dilemmas challenge the very existence of several principal characters in Mukherjee’s new novel.
Divided into three connected parts, the book contrasts the consciences of socially aware European professionals with the survival struggles of African refugees and the very poorest of Indian villagers. Part 1 focuses on a London-based gay couple, Ayush and Luke, parents to Masha and Sasha. Luke, the higher earner of the pair, is an economist with the credo: “Economics is life, life is economics.” When not doing the lion’s share of parenting, Ayush works in publishing, editing books on diversity issues. A new author has recently joined his list but refuses to divulge more than the teasing name M.N. Opie. Tortured by capitalism’s distortion of everything, from farming to the climate, Ayush becomes increasingly unhinged. Part 2 features one of Opie’s stories, another clash between literature and economics. Emily, a middle-class English academic, is concussed after her taxi is involved in a hit-and-run. Confused and nauseated, Emily reaches out to the driver, Salim, and finds herself pulled into his world. And finally, Part 3, perhaps the work of one of Luke’s economist colleagues, sees a shift to India, where an impoverished family struggles to take advantage of the gift of a cow, only to discover this supposed opportunity to improve their finances brings additional, impossible burdens. Mukherjee puts his piercing intelligence and fine technique to the service of urgent issues and gargantuan choices, in a world where simple solutions are rarely available. This novel is more directly confrontational than his earlier books, and a challenge to the reader.
A determinedly provocative work of fiction—passionate, graphic, and uncomfortable.Pub Date: April 2, 2024
ISBN: 9781324075011
Page Count: 320
Publisher: Norton
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Share your opinion of this book
More by Neel Mukherjee
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Awards & Accolades
Likes
239
Our Verdict
GET IT
New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Share your opinion of this book
More by Kathryn Stockett
BOOK REVIEW
More About This Book
by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Share your opinion of this book
More by Bonnie Garmus
BOOK REVIEW
More About This Book
PERSPECTIVES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.