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CHOICE

A determinedly provocative work of fiction—passionate, graphic, and uncomfortable.

Intractable dilemmas challenge the very existence of several principal characters in Mukherjee’s new novel.

Divided into three connected parts, the book contrasts the consciences of socially aware European professionals with the survival struggles of African refugees and the very poorest of Indian villagers. Part 1 focuses on a London-based gay couple, Ayush and Luke, parents to Masha and Sasha. Luke, the higher earner of the pair, is an economist with the credo: “Economics is life, life is economics.” When not doing the lion’s share of parenting, Ayush works in publishing, editing books on diversity issues. A new author has recently joined his list but refuses to divulge more than the teasing name M.N. Opie. Tortured by capitalism’s distortion of everything, from farming to the climate, Ayush becomes increasingly unhinged. Part 2 features one of Opie’s stories, another clash between literature and economics. Emily, a middle-class English academic, is concussed after her taxi is involved in a hit-and-run. Confused and nauseated, Emily reaches out to the driver, Salim, and finds herself pulled into his world. And finally, Part 3, perhaps the work of one of Luke’s economist colleagues, sees a shift to India, where an impoverished family struggles to take advantage of the gift of a cow, only to discover this supposed opportunity to improve their finances brings additional, impossible burdens. Mukherjee puts his piercing intelligence and fine technique to the service of urgent issues and gargantuan choices, in a world where simple solutions are rarely available. This novel is more directly confrontational than his earlier books, and a challenge to the reader.

A determinedly provocative work of fiction—passionate, graphic, and uncomfortable.

Pub Date: April 2, 2024

ISBN: 9781324075011

Page Count: 320

Publisher: Norton

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WE BURNED SO BRIGHT

An existential crisis that steps on its own final moments.

With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.

After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.

An existential crisis that steps on its own final moments.

Pub Date: April 28, 2026

ISBN: 9781250881236

Page Count: 176

Publisher: Tor

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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