A calm, compelling, unshrinking portrait of humanity in transition; both disturbing and dazzling.

A STATE OF FREEDOM

Five diverse lives in India are traced and linked, exposing the aching gulfs in experience and opportunity that exist in a complex nation.

Particle physicists, Maoist terrorists, punitive employers, servants, and émigrés all have roles in Mukherjee’s (The Lives of Others, 2014, etc.) third novel, which is composed of interwoven short fictions moving between seething cities and rural life at its most impoverished. Themes of money, work, politics, survival, and women’s roles connect the characters. In Bombay, an elderly couple with a new cook welcomes home their liberal son, now living overseas, on his annual visit. His keen interest in food and research for a cookbook lead to awkward efforts to befriend the cook, resulting in a visit to her family’s home, a trip seamed with shame, pity, and wonder. Elsewhere, a poor villager, crushed under the burden of trying to provide not only for his own family, but his brother’s, too—the brother has gone to find work on construction sites in the cities—is relieved, perhaps, by the discovery of a bear cub. Having trained the bear to “dance”—an unbearably cruel process—man and animal begin a life together on the road and a kind of parallel existence, begging for food and money, debased and suffering. The fate of the absent brother is glimpsed in the sinister, haunting opening of the book and confirmed in its final section. The London-based Mukherjee surprises once again with the form of his storytelling while confirming anew the depth of his empathy. His characters’ life journeys are often painful while his descriptions of their circumstances are unsentimental, vivid, unsparing. Above all there is compassion here, alongside a focus that depicts gross inequities with a grim tenderness.

A calm, compelling, unshrinking portrait of humanity in transition; both disturbing and dazzling.

Pub Date: Jan. 2, 2018

ISBN: 978-0-393-29290-9

Page Count: 288

Publisher: Norton

Review Posted Online: Oct. 11, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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