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MOTHERHOOD SO WHITE

A MEMOIR OF RACE, GENDER, AND PARENTING IN AMERICA

An essential addition to the literature about adoption, reflecting a viewpoint that is sorely lacking.

What does it mean to be a single black mother in America?

In her debut memoir, Austin (Abandon, 1996, etc.) examines what it means to legally adopt a black child through the foster care system as a single black woman. The book opens with the author taking her 5-year-old adopted son, August, to a Black Lives Matter rally “just outside the Beverly Hills hub,” where they live. Austin palpably recounts the urgency of this current moment, especially regarding the constant possibility of lethal danger for black people in America. As she notes, innocence is a currency that black children cannot afford. Austin explores how this has been a recurrent theme throughout American history, one that has always created deep trauma within the black community and family structure. She seamlessly weaves her adoption story into discussions of her ideas of motherhood, which are particularly relevant because she was raised by her grandparents after being abandoned by her own birth mother. Austin challenges readers to question the ideal of motherhood as being synonymous with whiteness. Along the way, she tackles the inherent sexism, classism, and racism within the adoption system and the broader community, and she forcefully pushes back against the vilification of the single black mother and the idea of the unwanted black child in the adoption system. Austin also addresses the lack of literary work focused on stories of black motherhood in general and black adoption in particular. During her research, much of what she found centered on white adoption and ignored her unique challenges. Austin closes with first-person interviews with other black mothers who share their individual parenting journeys, helping to further bolster the author’s argument that black motherhood is not monolithic.

An essential addition to the literature about adoption, reflecting a viewpoint that is sorely lacking.

Pub Date: Sept. 24, 2019

ISBN: 978-1-4926-7901-1

Page Count: 304

Publisher: Sourcebooks

Review Posted Online: Sept. 9, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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