But Murdoch is nothing if not a survivor, and Chenoweth’s lively biography pays due respect to a slippery but tenacious...

RUPERT MURDOCH

THE UNTOLD STORY OF THE WORLD’S GREATEST MEDIA WIZARD

A roller-coaster ride through the life and self-made world of the Australian billionaire.

Sydney-based financial journalist Chenoweth explains that Murdoch is a bundle of contradictions: personally unprepossessing (“drab to the point of colorlessness”) yet a master of Machiavellian business politics; morally ambiguous (quick to betray friends and family for the promise of money or other pleasures) yet the architect of one of the world’s great media empires, embracing satellite and cable television, newspapers, radio stations, and a host of other ventures. This success, Chenoweth notes, was never quite preordained, although Murdoch was heir to the distressed fortunes of a distant father who himself had built such an empire in Australia; it took Murdoch’s singular drive and ambition to expand these slender holdings to embrace every continent—and to make few friends and many enemies along the way. Showing guarded admiration for Murdoch’s talents and refusing to demonize his much-despised subject, Chenoweth takes us along some impressively complex paths, including Murdoch’s bid in the fall of 2001 to acquire Hughes Electronics from a battered GM and his longtime efforts to thwart Ted Turner’s ambitions to build an omnimedia empire of his own. Along the way, he offers learned observations of interest to anyone contemplating investment in a Murdoch venture: he notes, for instance, that Murdoch’s fortunes seem to be keyed to the calendar, such that “Murdoch would spend the first years of each decade recovering from his latest great gamble. By the middle of the decade he would have settled the empire down, beaten back the bankers, and embarked on the next growth phase. The deals grew dizzier and dizzier until by the end of the decade Murdoch’s news empire would look impossibly stretched, his critics declaring that this time this crisis would be his last.”

But Murdoch is nothing if not a survivor, and Chenoweth’s lively biography pays due respect to a slippery but tenacious fellow.

Pub Date: Nov. 19, 2002

ISBN: 0-609-61038-4

Page Count: 416

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2002

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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